19. So Em Teus Braços (Antonio Carlos Jobim) 1?47 2
20. Trevo de 4 Folhas (Harry Woods, Mort Dixon) 1?24 2
21. Se E Tarde Me Perdoa (Carlos Lyra, Ronaldo Bôscoli) 1?44 2
22. Meditaçao (Antonio Carlos Jobim, Newton Mendonça) 1?45 2
23. Um Abraço No Bonfà (Joao Gilberto) 1?37 2
24. O Pato (Jayme Silva, Neuza Teixeira) 1?58 2
25. Corcovado (Antonio Carlos Jobim) 1?57 2
26. Discussao (Antonio Carlos Jobim, Newton Mendonça) 1?49 2
27. Amor Certinho (Roberto Guimaraes) 1?52 2
28. Outra Vez (Antonio Carlos Jobim) 1?50 2
29. Bolinha de Papel (Geraldo Pereira) 1?18 3
30. Samba de Minha Terra (Dorival Caymmi) 2?21 3
31. Saudade Da Bahia (Dorival Caymmi) 2?16 3
32. O Barquinho (Ronaldo Bôscoli, Roberto Menescal) 2?30 3
33. Trenzinho (Trem de Ferro) (Lauro Maia) 1?49 3
34. Presente de Natal (Nelcy Noronha) 1?52 3
35. Insensatez (Vinicius de Moraes, Antonio Carlos Jobim) 2?24 3
36. O Amor Em Paz (Antonio Carlos Jobim, Vinicius D Moraes)2?21 3
37. Coisa Mais Linda (Carlos Lyra, Vinicius de Moraes) 2?50 3
38. Você E Eu (Carlos Lyra, Vinicius de Moraes) 2?30 3
39. A Primeira Vez (Armando Marçal, Alcebiades Barcellos) 1?51 4
40. Este Seu Olhar (Antonio Carlos Jobim) 2?13
More Info:
Joao Gilberto was born in 1931 in Brazil in the state of Bahia in Brazil, where he learned to play the guitar. He began his singing career on radio in Rio de Janeiro, and in 1957 he met Antonio Carlos Jobim. It was a decisive encounter, because Jobim would give him the chance to accompany Elizeth Cardoso and write songs for her. A new spirit was taking hold in the bars and clubs of Rio, where Vinicius de Moraes, Tom Jobim, Dorival Caymmi, Elizeth Cardoso, Maysa and Baden Powell ? and soon Joao Gilberto ? were developing a new style that embraced the vibrations of a whole young generation of Brazilians. The name of this new life force was Bossa Nova, the name given to music that featured relaxed rhythms and mingled sadness with new hope. It was this newness that Joao incarnated right from his first album entitled Chega de saudade (released in 1959). It was an immensely successful record, and it's popularity spread far beyond Brazil. In the USA, the Bossa Nova wave touched every musician in jazz, from Stan Getz and Charlie Byrd to Quincy Jones, Herbie Mann and others including Lalo Schifrin (cf. The Masters of Jazz album Jazz Bossa Nova). The three albums that Joao Gilberto recorded between 1958 and 1962 formed the foundations of the style was later recognized throughout the world as Bossa Nova.