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In 1906, Komitas gave a concert and lecture in Paris. Debussy came on stage after the concert and knelt before the Armenian composer (who was also a priest, a singer and a pioneer of ethnomusicology), exclaiming: 'I bow before your genius, Reverend Father.' 'Komitas is the voice of the land of Armenia, of it's churches and it's stones which remained silent for many centuries', the violinist David Haroutunian tells us. Along with the mezzo-soprano Eva Zaïcik, who is passionate about these songs, and the pianist Xénia Maliarevitch, he pays tribute to this great musician and to the French-Armenian composer Garbis Aprikian, now ninety-six years old. This heir to Komitas, a student of Olivier Messiaen, has made a major contribution to the dissemination of Armenian music, both classical and popular, in France and beyond. The album opens with his Lamento, a beautiful evocation of and touching homage to Komitas.
In 1906, Komitas gave a concert and lecture in Paris. Debussy came on stage after the concert and knelt before the Armenian composer (who was also a priest, a singer and a pioneer of ethnomusicology), exclaiming: 'I bow before your genius, Reverend Father.' 'Komitas is the voice of the land of Armenia, of it's churches and it's stones which remained silent for many centuries', the violinist David Haroutunian tells us. Along with the mezzo-soprano Eva Zaïcik, who is passionate about these songs, and the pianist Xénia Maliarevitch, he pays tribute to this great musician and to the French-Armenian composer Garbis Aprikian, now ninety-six years old. This heir to Komitas, a student of Olivier Messiaen, has made a major contribution to the dissemination of Armenian music, both classical and popular, in France and beyond. The album opens with his Lamento, a beautiful evocation of and touching homage to Komitas.
3760014199479

Details

Format: CD
Label: ALPHA
Rel. Date: 04/28/2023
UPC: 3760014199479

To Armenian Mothers
Artist: Komitas / Aghabab / Aprikian / Eva Zaicik
Format: CD
New: Available $19.99
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Formats and Editions

DISC: 1

1. Aprikian: Lamento (Arr. for Mezzo-Soprano, Violin and Piano By Nicolas Worms)
2. Komitas: Qeler Tsoler
3. Komitas: Shogher Jan
4. Komitas: Dances: No. 4, Shushiki
5. Ganatchian: Lullaby (Arr. for Mezzo-Soprano, Violin and Piano By Nicolas Worms)
6. Komitas: Tsirani Tsar (Arr. for Violin and Piano By Avet Gabrielian)
7. Komitas: Hoy Nazan
8. Komitas: Lullaby
9. Komitas: Krunk (Arr. for Violin and Piano By Sergey Aslamazian)
10. Komitas: Antuni
11. Hakob Aghabab: Jan, Ay Loosin! (Loosin Yelav) (Arr. for Mezzo-Soprano, Violin and Piano By Nicolas Worms)
12. Komitas: Dances: No. 1, Yerangi
13. Aprikian: Lullaby (Arr. for Violin and Piano By David Haroutunian)
14. Komitas: Akh, Maral Jan ; Ervum Em
15. Komitas: Garun a
16. Komitas: Chinar Es (Arr. for Mezzo-Soprano, Violin and Piano By Nicolas Worms)
17. Komitas: Kaqavik (Arr. for Violin and Piano By Avet Gabrielian)
18. Komitas: Yerkinqn Ampel E
19. Komitas: Qele, Qele
20. Komitas: Dances: No. 5, Het-Araj
21. Aprikian: Petite Suite Nuptiale (Arr. for Violin and Piano By David Haroutunian)
22. I. Romance Sans Paroles. Barcarolla
23. II. Kovk. Louange Et Voux
24. III. Hymne. Bénédiction
25. Aprikian: Petite Suite Nuptiale (Arr. for Violon and Piano By David Haroutunian)
26. IV. Scherzo. Réjouissances

More Info:

In 1906, Komitas gave a concert and lecture in Paris. Debussy came on stage after the concert and knelt before the Armenian composer (who was also a priest, a singer and a pioneer of ethnomusicology), exclaiming: 'I bow before your genius, Reverend Father.' 'Komitas is the voice of the land of Armenia, of it's churches and it's stones which remained silent for many centuries', the violinist David Haroutunian tells us. Along with the mezzo-soprano Eva Zaïcik, who is passionate about these songs, and the pianist Xénia Maliarevitch, he pays tribute to this great musician and to the French-Armenian composer Garbis Aprikian, now ninety-six years old. This heir to Komitas, a student of Olivier Messiaen, has made a major contribution to the dissemination of Armenian music, both classical and popular, in France and beyond. The album opens with his Lamento, a beautiful evocation of and touching homage to Komitas.
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