In an era when networked access to information is nearly universal and wearing influences on your sleeve is normalized, it often feels like everything’s been done. Which begs the questions: What’s the point of creating? Does the world need another still life of fruit? Another film about love? Does the world need another melody?
On Raw Honey, his second album as Drugdealer, Michael Collins colors these existential conundrums with lush arrangements, memetic melodies, and a vulnerable tunefulness that tries to make sense of self-doubt and connected loneliness in our shared simulacra.
Collins, who never played an instrument, let alone received musical training in any formal capacity, began experimenting with sounds in 2009 after traversing the US on freight trains. After a few years crafting abstract sampledelia, he decided to forgo his experimental exercises in favor of teaching himself how to write the traditional song. In doing so, he made the decision to approach songwriting from the perspective of a listener, rather than a “musician.”
In 2013, Collins headed west and enmeshed himself in the Los Angeles underground scene. It was then that he began collaborating with players in the orbit of Ariel Pink, slowly over time crafting what would become Drugdealer’s debut album, The End of Comedy, a collection of sunlit songs as indebted to Laurel Canyon psych pop as it is Bacharian orchestration.
Raw Honey continues where The End of Comedy left off, with Collins once again leading an ace crew of collaborators to coalesce the spirit of Drugdealer’s classically modern pop. Built on the foundation of a creative partnership between Collins, Sasha Winn (vocals) and Shags Chamberlain(bass, production), Drugdealer is more a collective than band. Raw Honeyfeatures contributions of Josh Da Costa (drums), Jackson MacIntosh(guitar), Danny Garcia (guitar), Michael Long (lead guitar), and Benjamin Schwab (backing vocals, guitar, organ, piano, wurlitzer), as well as guest vocalists like country balladeer Dougie Poole (“Wild Motion”), Harley Hill-Richmond (“Lonely”), and frequent collaborator Natalie Mering (Weyes Blood) whose dulcet tones sing low before soaring on “Honey,” a track as silky as the nectar itself.
Throughout Raw Honey, Collins and crew display their influences as a new tapestry, one woven with the recycled fibers from thousands of tapestries that have colored our collective listening histories. As evidenced throughout Raw Honey, Collins has an ear for penning numbers that would sound as at home on Classic Rock radio as they would at Zebulon in Los Angeles, where any of the contributors to Raw Honey could, perhaps, be found on any night of the week, on stage, or in the audience supporting another Angelino’s modern pop aspirations.
Rather than hiding behind a curtain or casually sidestepping AOR tropes, Raw Honey adheres to a modern kind of creation — one that cultivates influences and espouses reverence. An honest totem, Raw Honey isn’t tangled up in social norms, with Collins prefering to air his self-doubt as a northern star to guide like-minded people wherever they need to go.
Drugdealer’s Raw Honey will be released on April 19, 2019 via Mexican Summer.
Honk is the brand-new Best Of compilation album featuring the biggest hits and classic cuts from every Rolling Stones studio album from 1971 to 2016’s Blue & Lonesome. The 2LP collects 20 essential Stones’ tracks – including eight Top 10 singles, “Brown Sugar,” “Tumbling Dice,” “Angie,” “It’s Only Rock’n’Roll (But I Like It),” “Fool To Cry,” “Miss You,” “Emotional Rescue” and “Start Me Up.” and more. The album also features a live version of “Wild Horses” featuring Florence Welch.
The experience of Daniel Norgrens music is marked by connection: the artist to the band, the audience to the music, and the body to the soul. His latest album, Wooh Dang, out April 19, 2019 on Superpuma Records, will be Norgrens first worldwide release. Recorded live and entirely on a 16 track analogue rig the album captures the close chemistry between Norgren and his band, comprised of old friends Anders Grahn (bass), Erik Berntsson (drums), and Andreas Filipsson (guitar and banjo). An intertwining of analog instrumentation, live performance, and rural field recordings, Wooh Dang is rife with a deeply hopeful creative intention. It's red blooded, alive, and coursing with equal parts adrenaline and seratonin. Wooh Dang was a real fun album to make and to me its been the world for the last few years, says Norgren. Thanks for taking the time. I hope you enjoy it.
Jade Bird - the debut self-titled debut album via Glassnote Records. Featuring breakthrough singles Lottery, Uh Huh & Love Has All Been Done Before. Twisting big themes of disillusionment, divorce, cheating, sorrow into the realities of an independent-minded, modern British teenager, Jade's music transcends genre with a wealth of influence coming from everywhere, and anywhere. Classic, contemporary, and a total breath of fresh air in the current musical landscape, Jade Bird is that rare, next-generation artist who appears as clued up on the past as she is determined to learn from it's lessons: in control, sometimes in your face, and in possession of gifts beyond her years.
+ After The Burial “Evergreen” will be available Digitally, CD and on VINYL + ATB will tour consistently throughout 2019, 2020 and 2021 in support of the new album + Consumer ad plan includes social media platforms such at Facebook and Instagram, in addition to search engine redirection associated campaign efforts, and both digital and physical publications + Music videos to be created for focus singles off the record, going live on Sumerian’s YouTube channel (1.7M subscribers) + Servicing Metal Radio Campaign (Liquid Metal at SiriusXM / Full Metal Jackie etc.) + Set up campaign will include aggressive promotion, contesting and engagement efforts on band & label social media accounts while utilizing digital/video commercial assets on all platforms, and thorough street-team efforts online and with hand-to-hand flyering + In-Store campaigns and listening station programs targeted for mass exposure
Critically acclaimed Los Angeles band JOHNNYSWIM—led by husband-and-wife Abner Ramirez and Amanda Sudano—unveil their third full-length album, MOONLIGHT, on April 19. This marks the group’s first release under their newly minted deal with Britannia Row Recordings and BMG. Throughout 2018, JOHNNYSWIM carefully crafted what would become the new album alongside GRAMMY® Award-winning producer and songwriter Malay [Frank Ocean, Sam Smith], working out of both his Brooklyn apartment and his recently opened Britannia Row Recordings studio in Hollywood. Together, they expanded the band’s musical palette, while honing its signature songwriting. Invariably inspired by the final product, Malay went on to sign them to Britannia Row Recordings as well. Introducing the record, JOHNNYSWIM has released the first single, “Bridges.” Driven by a robust guitar riff and propulsive percussion, Amanda and Abner congregate on an uplifting harmony that’s as fresh as it is fiery. Elsewhere on the 12-track collection, warm acoustic plucking and a thick groove underscore the chant of “Say What You Will,” while “Amanda” serves as a tender letter from husband to wife. Meanwhile, legendary crooner Michael McDonald lends his immortal wail to downright anthemic “The Last Time.” Simply put, they shine like never before in the new year on MOONLIGHT. To celebrate the impending arrival of the album, JOHNNYSWIM have announced an extensive tour for 2019 that kicks off May 3rd in St Louis and wraps on June 14th in Los Angeles.
Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. After a wild night out with her girls, she mysteriously gains the ability to hear men’s thoughts. With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and new love interest to the test. All’s fair in love and deal-making in this outrageously funny comedy! Also starring Tracy Morgan, Erykah Badu, Wendi McLendon-Covey, and Max Greenfield.
Chuck’s death catalyzes Jimmy McGill’s transformation into Saul Goodman, Mike Ehrmantraut takes a more active role in Gus Fring’s business, Kim questions everything, Howard loses his grounding, and Nacho’s well-laid plans are torn apart.
Mac DeMarco returns with his newest album, Here Comes the Cowboy, the first album to be released on his new independent label, Mac’s Record Label. The album features lead single “Nobody,” and is available on May 10.
After releasing their highly anticipated Kicker EP in the summer of 2018 (which Pitchfork described as the band's "most satisfying release in nearly 20 years"), The Get Up Kids have returned with an invigorating new full-length album, Problems. Produced by Peter Katis (The National, Interpol, Sharon Van Etten), Problems sees the band expanding on the unmatched energy and emotion found on Kicker and channeling it into a fresh collection of songs that showcases the highly developed songwriting characteristics and impeccable use of melody we've come to expect from the Kansas 5-piece. Standouts like "Satellite" and "The Problem Is Me" make it clear the band has come full circle while continuing to evolve.
Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album
Sammy Hagar & The Circle will release their debut album of original material, titled Space Between on May 10 via BMG. The first single from the record, “Trust Fund Baby,” is available now. With the upcoming release of Space Between, the band harnesses the depth of their artistic experiences and seminal collaborative sound with Hagar's prolific writing vein to produce an album that builds and explodes, song after song, around the concepts of money, greed, enlightenment and truth. Lyrically and musically, the collection of songs on Space Between build from intimate and introspective eye-openers to heart-pumping anthems. The music draws on the bands' substantial careers independently and collaboratively; presenting a veteran band still at the peak of their game. Formed in 2014, the acclaimed supergroup featuring Rock & Roll Hall of Fame inductees Sammy Hagar and bassist Michael Anthony, drummer Jason Bonham and guitarist Vic Johnson, quickly established themselves as one of the most emphatic and exciting live acts on tour today, seamlessly ripping through career-spanning hits from Montrose, Van Halen, Sammy Hagar and The Waboritas and Led Zeppelin.
Parachute is the fifth studio album for the band; the album was produced by Jacquire King (Kings of Leon, Dawes, Tom Waits, Modest Mouth, Norah Jones, Josh Ritter, Punch Brothers). All songs were written by Will Anderson except "Ocean" and "Talk to Me" by Will Anderson and Jackson Morgan. Fans and critics alike are no stranger to Anderson's impeccable ability to connect as a songwriter, with Billboard hailing that he has a "knack for writing emotionally connecting, hook-laden songs that linger in the brain for days' as well as Idolator calling the band's past songs, "well-crafted and infectious."
Sombrou Dúvida is a question. A play on words in Boogarins’ native Brazilian Portuguese. It’s a contraction of “Sombra ou Dúvida”, the title track of the album, which translates as ‘Shadow or Doubt’. There might seem to be a darkness to the question, given that both choices aren’t exactly cheery. Yet, Dino, the smiling, Afro-donned singer of the group tells us that “shadow” refers to a feeling related to your comfort zone, whereas doubt is the uncertainty that hits people and leads them to follow their instincts. For fans of previous works by the band, Fernando Almeida’s songwriting and soaring vocals guide Sombrou Dúvida in a way that’s reminiscent of the Latin Grammy-nominated second album "Manual", which was a portrait of a live band exploring the professional recording studio for the first time. The new 10-song set builds on this premise while retaining many of the home-recorded electronic elements of Lá Vema Morte.
Esperanza Spalding has announced an audacious new project called ‘12 Little Spells’ that finds Spalding conjuring in the medium of musical creation, through an exploration of the body, human energy and healing. Esperanza released one new spell per day on her website and social platforms as well as a “Liner Notes Live” hosted on Facebook all resulting in over 3.1 million views. The spells come in the form of new music, which was crafted by Spalding at a castle in Italy last month, and then recorded in sessions completed just yesterday in Brooklyn. Each spell will be presented with song-specific imagery and video spells (short films that will accompany each release).
Featuring a wildly entertaining mix of dynamic action and dark humor, COLD PURSUIT stars Liam Neeson as Nels Coxman, a snowplow driver whose quiet family life is upended after his son's murder. Nels begins a vengeful hunt for Viking, the drug lord he holds responsible for the killing, eliminating Viking's associates one by one. As Nels draws closer to Viking, his actions bring even more unexpected and violent consequences, as he proves that revenge is all in the execution.
Featuring music from Michael Franti's tenth studio album, Stay Human Vol. II, available now.
In a quest to hold on to humanity and STAY HUMAN in the craziness of the world we live in today, award-winning musician Michael Franti takes us on a personal journey through his songs and stories of extraordinary humans who inspire him to overcome cynicism with optimism and hope. Michael shares the tales of Robin Lim, a midwife who opened a birthing clinic in the aftermath of a devastating typhoon in the Philippines; Steve & Hope Dezember, a young couple whose love carries them through Steve's battle with ALS; Arief Rabik, an environmental scientist in Bali who perfected a method to make industrial and household products with bamboo in an effort to curb deforestation; and Sive Mazinyo and Busisiwwe Vazi, who help inspire their community of Port Elizabeth, South Africa, through music and education. Michael reflects on his own journey facing adversity as a child, struggling to find his voice as a musician, and how he came to find inspiration through these stories. He hopes to inspire people to become changemakers by utilizing creativity, tenacity, and heart to face our daily challenges as individuals, and together as citizens of our planet to STAY HUMAN.
Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to try out for WWE. But when only Paige earns a spot in the competitive training program, she must leave her family and face this new, cut-throat world alone. Based on the incredible true story, this heartwarming comedy follows Paige as she proves that what makes her different is the very thing that can make her a star.
Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014.
Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna, Charli XCX, Usher, HAIM, Solange, and others). The album features 18 songs, with an array of collaborations yet to be revealed. 6 of the songs from Father of the Bride will be released ahead of the full album.
Judah & the Lion return with their third album, Pep Talks, following their widely successful Folk Hop n’ Roll and their breakout hit, “Take It All Back.” The album is a mature step for the band, and blends uplifting, powerful anthems with more contemplative and emotional tracks. The album includes “Over my head” and “Quarter-Life Crisis” and features Kacey Musgraves and Jon Bellion.
Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.
Bad Religion are set to release their new album Age of Unreason, which can be described as "a musical manifesto on the current political landscape.” In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.
Brian Fennell is a student of simplicity. As SYML (pronounced "simmel"), which translates to "simple" in Welsh, Fennell writes emotive songs that capture the ethos of his musical persona. Ultimately his songs are a kind and truthful depiction of emotion grounded by his gut-wrenching vocal delivery. This is SYML’s debut album.
Features 7 songs from the Editor's Violence album, originally produced and more recently mixed and finished by Blanck Mass. It includes the unreleased ''Barricades'' from the Violence album session, which is a full Blanck Mass production mixed by Alan Moulder as per the rest of the original album.
When Seattle band Tacocat—vocalist Emily Nokes, bassist Bree McKenna, guitarist Eric Randall, and drummer Lelah Maupin—first started in 2007, the world they were responding to was vastly different from the current Seattle scene of diverse voices they’ve helped foster. It was a world of house shows, booking DIY tours on MySpace, and writing funny, deliriously catchy feminist pop-punk songs when feminism was the quickest way to alienate yourself from the then-en vogue garage-rock bros. Their lyrical honesty, humor, and hit-making sensibilities have built the band a fiercely devoted fanbase over the years, one that has followed them from basements to dive bars to sold-out shows at the Showbox. Every step along the way has been a seamless progression—from silly songs about Tonya Harding and psychic cats to calling out catcallers and poking fun at entitled weekend-warrior tech jerks on their last two records on Hardly Art, 2014’s NVM and 2016’s Lost Time. This Mess is a Place, Tacocat’s fourth full-length and first on Sub Pop, finds the band waking up the morning after the 2016 election and figuring out how to respond to a new reality where evil isn’t hiding under the surface at all—it’s front and center, with new tragedies and civil rights assaults filling up the scroll of the newsfeed every day. “What a time to be barely alive,” laments “Crystal Ball,” a gem that examines the more intimate side of responding emotionally to the news cycle. How do you keep fighting when all you want to do is stay in bed all day? “Stupid computer stupor/Oh my kingdom for some better ads,” Nokes sings, throwing in some classic Tacocat snark, “Truth spread so thin/It stops existing.” Despite current realities being depressing enough to make anyone want to crawl under the covers and sleep for a thousand years, Tacocat are doing what they’ve always done so well: mingling brightness, energy, and hope with political critique. This Mess is a Place is charged with a hopefulness that stands in stark contrast to music that celebrates apathy, despair, and numbness. Tacocat feels it all and cares, a lot, whether they’re singing odes to the magical connections we feel with our pets (“Little Friend”), imagining what a better earth might look like (“New World”), or trying to find humor in a wholly unfunny world (“The Joke of Life”). It’s a delightfully cathartic moment and the cornerstone of the record when they exclaim, in “Grains of Salt:” “Don’t forget to remember who the fuck you are!” Producer Erik Blood (who also produced Lost Time) brings the band into their full pop potential but still preserves what makes Tacocat so special: they’re four friends who met as young punks and have grown together into a truly collaborative band. Says Nokes: “We can examine some hard stuff, make fun of some evil stuff, feel some soft feelings, feel some rage feelings, feel some bitter-ass feelings, sift through memories, feel wavy-existential, and still go get a banana daiquiri at the end.” —Robin Edwards
Joy Williams is a singer-songwriter from Santa Cruz, CA who now lovingly calls Nashville, TN home.
Formerly of four-time Grammy Award-winning Folk, Country and Americana duo The Civil Wars, Joy recently recorded her forthcoming solo album, Front Porch, produced by Kenneth Pattengale of The Milk Carton Kids.
Following the recent birth of her second child, Joy is steadily performing new music from Front Porch live in advance of the album’s release on May 3rd.
Summer Of Sorcery', the follow up to the critically acclaimed 'Soulfire' is SVZ’s first album of original material in 20 years. It was written during the second half of the 'Soulfire' Tour and recorded at Stevie’s Renegade Studio September-November 2018. All 12 songs are original SVZ compositions, 1 recut from his Revolution Album, 1 outtake from the Lilyhammer Score, and 10 new songs. The album was recorded with the same members of The Disciples Of Soul that have been touring this past year. The album is a breakthrough artistically for Stevie in several ways, “My first five albums in the 80s were both very personal, and very political. I wanted the new material to be more fictionalized. The way records were when I grew up. Before it was an Artform. The concept (loosely) was capturing and communicating that first rush of Summer. The electricity of that feeling of unlimited possibilities. Of falling in love with the world for the first time. Obviously, there are occasional personal references, and a bit of what’s going on socially scattered throughout, but I achieved what I set out to do. I created a collection of fictional audio movie scenes that feel like Summer. I’m quite proud of it.” -Little Steven
Through her folkloric mystique, otherworldly psychedelia, and a dash of enigmatic punk, Ahomale by Combo Chimbita catapults the sacred knowledge of our forebears into the future. Their second studio album and Anti- Records debut sees the visionary quartet drawing from ancestral mythologies and musical enlightenment to unearth the awareness of Ahomale, the album’s cosmic muse. Comprised of Carolina Oliveros’ mesmeric contralto, illuminating storytelling and fierce guacaracha rhythms, Prince of Queens’ hypnotic synth stabs and grooving bass lines, Niño Lento’s imaginative guitar licks, and Dilemastronauta’s powerful drumming, the lure and lore of Combo Chimbita comes into existence. Rooted in Colombia and based in New York, Combo Chimbita lives in the future. After playing together for years, these first-generation New Yorkers began experimenting with different traditional musical styles during their late night residencies at Barbès in Brooklyn. Exploring the connections between visual identity and improvisational long-form trips, Combo Chimbita came together as a four-piece band after they started encouraging more vocals by Carolina Oliveros, who tightens the rhythm with her guacharaca.
Mads Mikkelsen (Rogue One: A Star Wars Story, Doctor Strange) delivers an engrossing tour de force performance as Overgård, a resourceful yet increasingly desperate man stranded in a remote, snow-covered wilderness. After a plane crash in an icy wasteland, Overgård must live by his wits as he waits for help to arrive. But when a long-awaited rescue effort fails, he faces a life-or-death decision: remain in the relative safety of his camp and hope to be found, or embark on an arduous trek that may be the only hope for both him and a critically injured stranger. Critics are calling this captivating, white knuckle film "chilling and thrilling, heart-wrenching and heart-lifting" (Los Angeles Times).
From the creative mind of Oscar nominee Steven Knight comes a daringly original, sexy, stylized thriller. Baker Dill (Academy Award winner Matthew McConaughey) is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen (Academy Award winner Anne Hathaway) tracks him down with a desperate plea for help. She begs Dill to save her – and their young son – from her new, violent husband (Jason Clarke) by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen's appearance thrusts Dill back into a life he'd tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems.
Explore the history of the American South and its music through the life of country star Charley Pride. Raised in the brutally segregated Mississippi Delta, Pride's buttery voice, talent, and steely resolve led him to the Country Music Hall of Fame. A GRAMMY Lifetime Achievement Award® winner, his journey shows the ways that artistic expression can triumph over prejudice and injustice.
“On Monday 15th January this year Dolores O’Riordan died in London. Two days later she was due to come into BMG and play us the song demos for a new Cranberries album. At this point none of us believed there would be another studio album from the band.
A couple of months later the remaining band members (Noel, Fergal & Mike) listened through to the vocals with producer Stephen Street and with the full support of Dolores’s family the decision was taken to take the vocal tracks and for the band to complete the recording of the album. This was a direct reaction to the strength of the material Dolores had left as her legacy.
The end result is a euphoric alternative rock albumon a par with the band’s best work, and together with the striking album artwork (by original band photographer Andy Earl and original sleeve designer Cally Calloman), celebrates vitality and optimism albeit tinged with tremendous poignancy.”
Audiences from Manchester to Melbourne, London to Los Angeles, Newcastle to New York, and everywhere in between have been engulfed by the swell of eager sentiment propelled from a vociferous fanbase. Catfish and the Bottlemen possess a magnetic and dynamic focal point in McCann, renowned for posing everyday, easilyidentifiable observations through his lyrics.
If you distilled California into soundwaves and vibrations, it might resemble the sonic and spiritual interplay of the Los Angeles quintet Local Natives. VIOLET STREET revels in its stylistic eclecticism ranging from kinetic and propulsive pop (“When Am I Gonna Lose You”) to sun-drenched grooves (“Cafe Amarillo”) and stark emotive ballads (“Tap Dancer”). Produced by Shawn Everett (Kacey Musgraves, War On Drugs, Alabama Shakes), their 4th full length album proves to be their most diverse and mature set of tunes, from production through song writing.
Rodrigo y Gabriela are ready to embark on the next chapter of their remarkable story, with the release of their first studio album in 5 years. The new album, Mettavolution, will be released April 26 via ATO Records.
Three years in the making, Mettavolution brings together Rod and Gab's passionate interest in Buddhism, the history of human evolution and the liberation of the potential we have as a species; all expressed through the medium of two acoustic guitars. Conceived and composed in their studio in Ixtapa on the Mexican Pacific Coast, then road-tested in South America and the USA in 2017, a long list of new material has been distilled down to six new Rodrigo y Gabriela compositions and one audacious, jaw-dropping cover song.
Recorded in Los Angeles, producer Dave Sardy, -- best-known for his work with Oasis, LCD Soundsystem, A Perfect Circle and Band of Horses -- has helped Rod and Gab to a new recording career pinnacle.
Josh Ritter is returning this year with a new full-length, his tenth studio LP and follow-up to 2017’s Gathering. The Americana songwriter’s latest album, Fever Breaks, spans 10 tracks recorded at Nashville’s RCA Studio A over the second half of the past year. Jason Isbell produced the effort, which features his band The 400 Unit playing backup. It’s an exciting confluence of talents, and the promised chemistry bears out on the album’s gritty lead single “Old Black Magic”.
ScHoolboy Q’s third official studio album CrasH Talk will be released on April 26, 2019 through Top Dawg
Entertainment / Interscope Records. It is the follow up album to Q’s 2016 album Blank Face which peaked at #2 on
the Billboard 200 and Oxymoron (2014) which peaked at #1.
Remastered from the rare analog tape the special edition vinyl will be on 2LP for the first time. Limited double vinyl LP repressing of this 1988 debut album from the Rap kingpin. The Great Adventures Of Slick Rick topped Billboard's R&B/Hip Hop albums chart for five weeks and peaked at #31 on the Billboard 200 chart.
Rob Thomas is one of the most distinctive artists of this or any other era - a gifted vocalist, spellbinding performer, and accomplished songwriter known worldwide as lead singer and primary composer with Matchbox Twenty as well as for his multi-platinum certified solo work and chart-topping collaborations with other artists. Among his countless hits are solo classics like "Lonely No More," "This Is How A Heart Breaks," and "Streetcorner Symphony," Matchbox Twenty favorites including "Push," "3AM," "If You're Gone," and "Bent," and of course"Smooth," his 3x RIAA platinum certified worldwide hit collaboration with Santana.
Thomas made his solo debut with 2005's platinum certified "...SOMETHING TO BE" and immediately made history as the first album by a male artist from a rock or pop group to ever debut at # 1 on the Billboard 200.
Inspired by the boundary-pushing production, rhythm, and pastiche of hip-hop, classic beat-infused rock like Talking Heads, Blondie, and The Police, and danceable indie music like Gorillaz and St. Vincent, House on Fire is the debut album from Kansas City's Hembree. One of NPR's Spotlight Artists to Watch and Rolling Stone's 'Best Artists We Saw at SXSW.'
You're The Man is the first-ever planned 'lost' Tamla/Motown album from Marvin Gaye. Includes three tracks newly mixed by SaLaAM ReMi. The album also includes a rare long version of Marvin Gaye's cancelled Christmas single, as well as an unreleased vault mix of its instrumental B-side, and new essay by Marvin's biographer, David Ritz. You're The Man was the album originally proposed to follow-up the monumental What's Going On. The release coincides with the 60th anniversary of the Motown label and also Marvin Gaye's 80th Birthday (April 2).
An intriguing invitation brings six strangers together. Initially, they think they have gathered for a highly immersive escape room, but they soon make the sickening discovery that they are pawns in a sadistic game of life and death. Together, they move from one terrifying scenario to the next as they find clues and solve puzzles. But the players soon learn that exposing their darkest secrets may hold the key to survive.
As a young officer, Erin Bell found herself embedded deep undercover with California gang known for bank robberies. But when she becomes too attached to the leader, it leads to a moral crisis and tragic results. Years later, when the gang re-emerges, Bell finds herself on another journey - tracking down old members and trying to wrestle the demons of her past that destroyed everything she knew.