We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson's (Asher Angel) case, by shouting out one word-Shazam!-this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Zachary Levi), courtesy of an ancient wizard (Djimon Hounsou). Still a kid at heart-inside a ripped, godlike body-Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them! Can he fly? Does he have X-ray vision? Can he shoot lightning out of his hands? Can he skip his social studies tests Shazam sets out to test the limits of his abilities with the joyful recklessness of a child. But he'll need to master these powers quickly in order to fight the deadly forces of evil controlled by Dr. Thaddeus Sivana (Mark Strong).
Based on the terrifying novel by highly-acclaimed author Stephen King (It)... After the Creed family relocates from Boston to rural Maine, they soon discover an ancient burial ground hidden deep in the woods near their new home. When tragedy strikes, the grief-stricken father is driven by the cemetery’s sinister power, setting off a perilous chain of events that unleashes an unfathomable evil with horrific consequences. Some secrets are best left buried in this twisted thrill ride.
Jordan Sanders (Regina Hall), a take-no-prisoners tech mogul, wakes up one morning in the body of her 13-year-old self (Marsai Martin) right before a do-or-die presentation. Her beleaguered assistant April (Issa Rae) is the only one in on the secret that her daily tormentor is now trapped in an awkward tween body, just as everything is on the line.
'Lights / Boy With Luv' features the brand new Japanese-original song "Lights" as well as Japanese versions of "Boy With Luv" and "IDOL". Disc 2 is a DVD that features the music videos for "Lights" and "IDOL".
Almost ten years ago the band Rhapsody of Fire split into. Guitarist and songwriter Luca Turilli went on to form Luca Turilli’s Rhapsody while vocalist Fabio Lione would carry on under the name Rhapsody of Fire. It’s now 2019 and both prev members as well as former Rhapsody members Dominique Leurquin, Patrice Guers, and Alex Holzwarth have come together to form Rhapsody, Turilli / Lione and release their new album “Zero Gravity (Rebirth and Evolution)”. A collection of ten incredible tracks that maintain the band’s theatrical and symphonic metal roots while bringing the genre to new plateaus
Stage Fright was filmed on Motörhead’s 30th anniversary tour on 7th December 2004 at Phillipshalle in Dusseldorf. The BluRay contains the full, 20 song live set played that night including all the hits like ‘No Class’ and ‘Overkill’ plus loads of backstage footage, interviews, photo galleries and testimonials. Originally released on 18th July 2005 the concert is a huge celebration of the bands live achievement throughout their illustrious career.
A timely drama that centers on an unlikely relationship between Ann Atwater (Academy Award nominee Taraji P. Henson, Hidden Figures), an outspoken civil rights activist, and C.P. Ellis (Academy Award winner Sam Rockwell, Three Billboards Outside Ebbing, Missouri), a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever. Critics claim, “Taraji P. Henson and Sam Rockwell soar in this riveting true story” (Pete Hammond, Deadline).
By the time the world hears the performances from these two shows, Gov’t Mule will have celebrated 25 years as a band, which is something they never could have imagined. It’s no easy task keeping a band together for 25 years. You don’t get to do that without having built, nurtured, depended on, and tested important relationships. In fact, with any band that’s stayed around that long, it’s all about relationships. When the band decided to document where they are currently (musically speaking), it was immediately clear that, amongst other things, this release should be a celebration of those relationships. Available June 28th via Provogue Records, Bring On The Music: Live At The Capitol Theatre is a commemoration curated with the audience experience at the forefront. “Without our audience, there would be no chance or reason for us to be around 25 years later,” says founding member and lead guitarist Warren Haynes. “They’ve stuck with us from the beginning, and this is our way of including them in the celebration of our 25 years together.”
From the project’s inception it was always planned on being filmed and recorded at the Capitol Theatre in Port Chester, NY. “It’s one of our favourite venues,” offers Haynes. “Since it re-opened in 2012, we’ve had the pleasure of playing there multiple times with many magical shows taking place over the years.” Additionally, bringing on Danny Clinch to direct the film was always part of the plan. “Our relationship with Danny pre-dates the formation of Gov’t Mule,” explains Haynes. “We’ve watched each other’s careers grow in ways that included twists and turns neither of us could’ve predicted. He shot photos for many Mule records throughout the years, including our very first record. It was an obvious choice to work with him again this time around.”
All in all, the music is the connective tissue that brings all these relationships and experiences together. “Music is the thing that’s helped us individually and collectively get through hard times, and it’s driven every decision we’ve made as band since we began in ’94,” states Haynes. “The music has connected the band with the audience, and we all continue to grow together with it.”
In November 2018, The Doobie Brothers returned to the Beacon Theatre for the first time in 25 years to perform two of their landmark albums, Toulouse Street and The Captain And Me.
This historic performance at the Beacon offered an opportunity for Doobie fans to hear deep cuts and songs never-before performed live by the band, such as “Mamaloi,” “O’Connelly Corners,” “Ukiah,” and “The Captain And Me.” The show begins with the 10 songs from the group’s second studio album, Toulouse Street. Originally released in 1972, it’s been certified platinum. Several of the band’s most popular songs first appeared on the album, including “Jesus Is Just Alright” and “Listen To The Music,” the latter presented here with a brand new arrangement featuring horns.
Next, The Doobie Brothers played its third studio release, The Captain And Me. Originally released in 1973, it reached #7 on the Album Chart and has been certified double platinum. Hits include “Long Train Runnin’,” “China Grove” and “South City Midnight Lady.” The show ended with a three-song encore that included their #1 hit “Black Water.”
"Small Town Southern Man" is the story of country music icon Alan Jackson - a driven artist who has played an essential role in bridging the old and new worlds of country music by blending mainstream country and traditional honky-tonk, which irreversibly jolted country music into the modern era. The program travels the entire journey of Jackson's life, from his boyhood in Newnan, GA to Nashville and his first career successes.
In The Public an unusually bitter Arctic blast has made its way to downtown Cincinnati and the front doors of the public library where the action of the film takes place. At odds with library officials over how to handle the extreme weather event, some homeless patrons turn the building into a shelter for the night by staging an "Occupy" sit in. What begins as an act of civil disobedience becomes a stand-off with police and a rush-to-judgment media constantly speculating about what's really happening. This David versus Goliath story tackles some of our nation's most challenging issues, homelessness and mental illness and sets the drama inside one of the last bastions of democracy-in-action: your public library.
The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.
Iggy Pop’s long-lost classic Zombie Birdhouse, a heady concoction of drones, Afrobeats and freeform lyrics, was his 6th solo studio album and represents him at his freewheeling best. Available on vinyl for the first time since the original Chris Stein produced release on Animal Records in 1982, the reissue was remastered by Paschal Byrne and features singles “Run Like A Villain” and “The Villagers,” sleevenotes by Irvine Welsh, and rare photographs from the original Esther Friedman photoshoot.
Wilderness is a powerhouse of a record by Jade Jackson, a follow-up to her 2017 debut, Gilded. Her new work deals heavily with the in-betweens and stepping stones we dwell in and leap across while coming to terms with our sense of self, and how melancholy can be a powerful weapon to wield, especially in the form of a roots-rock or country song. Wilderness, like Gilded, was produced by Mike Ness, the SoCal punk rock legend who essentially plucked Jackson from obscurity several years ago and helped hone her craft and sound. Jackson calls Ness “a master of feel and rhythm” and credits him with showing her how to invoke more of those calling cards in her new work, in addition to those countless tools now in her arsenal that they developed together over time. As the pair’s master-pupil relationship continues to evolve, Jackson recognizes that Ness has become more open to her input while she herself has gotten more hands-on in the studio, a process that ultimately resulted in delivering the sound for which both parties were striving. “The message of ‘Wilderness’ is in how to get through tough situations—if you visualize yourself somewhere, all that good energy and intention can get you where you want to go.” – Jade Jackson
WOODSTOCK 50 – BACK TO THE GARDEN: THE ANNIVERSARY COLLECTION includes 42 tracks on a 5-LP set.
Producer Andy Zax says he, sound producer Brian Kehew and mastering engineer Dave Schultz avoided interfering with the tapes as much as possible in order to preserve their authenticity. “It’s not surprising that other producers’ first reaction to these tapes over the years has been ‘uh-oh,’ immediately followed by ‘we’ve gotta find a way to fix this.’ I'm not unsympathetic to that approach, but if there's a single overriding lesson that Brian Kehew and I have learned since we began working with the Woodstock tapes in 2005, it’s this: you can't fix them… That’s less grim than it seems, because once you’ve accepted the idea that there is no way to make these recordings sound slick, you realize that these tapes are the sonic equivalent of heirloom tomatoes — slightly imperfect, but delicious.”
Mega Bog is the fluid musical moniker of songwriter Erin Elizabeth Birgy, who has spent the last ten years channeling, capturing, and releasing her unique bouquet of fragrant, sci-pop experiments with a handful of bicoastal collaborators. She is joined on her fifth and finest album (and first for PoB) by members of Big Thief, Hand Habits, and iji, who help her spin a manic web of emotions into beautiful, abstract future poems and thrilling genre perversions.
Sigma acts as the sequel to 2018's critically acclaimed Equals release and features musical contributions from original Alarm guitarist Dave Sharp and Billy Duffy from The Cult. The Sigma LXXXV Tour featuring The Alarm, Modern English and Jay Aston's Gene Loves Jezebel kicks off July 19th and will visit more than 30 North American cities. Throughout the Sigma LXXXV Tour, Love Hope Strength (co-founded by Mike Peters), will be hosting bone marrow drives at each concert aimed at finding donors for people suffering from Blood Cancer who need a transplant for a second chance at life! LP is standard weight, black vinyl.
Following 2015's beautifully written introspective album 'Golden Age,' singer-songwriter Chris Staples is back with his upcoming full length release, 'Holy Moly.' While maintaining the authentic reflection Staples is known for in his songwriting, he has embraced a cautiously optimistic outlook for his future. Staples finds gentle melodies with his trademark stripped-back guitar, and also introduces new sounds by integrating keyboards for sonically lush arrangements. Staples' previous releases were met with praise from NPR's All Songs Considered, American Songwriter, Paste, The AV Club, and more.
Per Mike Milosh of Rhye, "the sound of Spirit was born out of falling in love with playing the piano again. About a year and a half ago, my girlfriend surprised me with a borrowed piano. It wasn’t in the best shape, but it made itself at home in my apartment and I started playing it every morning… just messing around at first, but it slowly became a morning ritual I couldn’t shake.
My morning piano ritual met my new piano in my favorite studio. I made a rule for myself that I would start something brand new every day, work on that for 2 hours without judgement and just see what I came up with. Out of the many sketches, Spirit started to take shape: a collection of songs that I did alone in the studio with just a piano, intertwined with collaborations with some of my favorite piano-based musicians. These are songs about love in my life, but also about the love for piano brought back into my life."
Spirit – the new piano project from Rhye
Limited Edition, 1st Pressing Vinyl.
LP: gatefold, 4C packaging; single LP, Baby Pink colored Vinyl.
Artwork from the team that brought you Blood’s award winning artwork [2019 Album Artwork of the Year - Juno Awards]
Available for the first time on vinyl, the album was originally released in 1994, to critical acclaim on Hightone Records. The remastered, expanded edition includes a previously unreleased instrumental studio track, “Riverbed Rag,” along with bonus material.
Ed Sheeran celebrates the announcement of his No.6 Collaborations Project – which arrives everywhere on July 12 – with the release of new song “Cross Me” featuring Chance the Rapper and PnB Rock. This new collaboration follows the release of “I Don’t Care” with Justin Bieber, which shot straight to #1 on the Billboard Digital Songs chart and #2 overall on the Hot 100. All 184 Top 40 radio stations added the track, making it only the fifth song in the modern era to win support from the full panel of Mediabase-monitored pop stations. Likewise, all 97 adult radio stations in the country added the song. An instant worldwide phenomenon, “I Don’t Care” hit #1 in the UK, Australia, Ireland, Italy, Netherlands, Switzerland, Finland, Sweden, and more.
METZ, our own widely-adored and delightfully noisy 3-piece punk band from Toronto (ON, CANADA), have been laying waste to stages around the globe for over 10 years. During that tumultuous chunk of time METZ, comprised of Alex Edkins, Hayden Menzies, and Chris Slorach, have cemented their reputation as one of the planet's most exhilarating live acts and trusted providers of bombastic outsider rock. Along the way, they’ve earned enthusiastic support from The New Yorker, Mojo, NPR, The New York Times, KEXP, Pitchfork, Stereogum, The AV Club, Q, Uncut, Exclaim, and a bunch of others. Referring to the trio's tireless tour regime and unquenchable thirst to bring their music to the people, John Reis (Hot Snakes, RFTC, Drive Like Jehu) once said, “your ambition is really unflattering, chill out.” They did not listen. Instead, their love of the road and passion to create uncompromising and challenging music remains unwavering and has only grown over time. Their recorded output to date, a cornucopia of pop-inflected noise punk and damaged fuzz anthems, includes 3 critically-acclaimed LPs with Sub Pop, as well as a plethora of limited-edition releases, collaborations, covers, and rarities. Which brings us to Automat, a collection of non-album singles, B-sides, and rarities dating back to 2009, available on LP for the first time, and including the band's long out-of-print early (pre-Sub Pop) recordings. Included here are the band’s first three 7” singles, recorded 2009-2010 and originally released by We Are Busy Bodies Records; a demo version of “Wet Blanket,” the explosive single from 2012’s METZ; two tracks from the limited-edition bonus single that accompanied preorders of METZ; “Can’t Understand,” originally released in 2013 by [adult swim]; and both tracks from the band’s 2015 single on Three One G. Consumers of the vinyl format of Automat will be rewarded with a bonus single that includes three additional tracks: a cover of Sparklehorse’s “Pig,” from a very limited 2012 Record Store Day split single originally released by Toronto’s Sonic Boom record shop; “I’m a Bug,” a cover of The Urinals’ art-punk classic, originally released on YouTube (not an actual record label) in 2014; and METZ’s previously unreleased rendition of Gary Numan’s “M.E.” All tracks on Automat have been lovingly remastered for maximum soundiness by Matthew Barnhart at Chicago Mastering Service. METZ are currently hard at work on their 4th full-length LP which will be released on Sub Pop when we are all damn good and ready.
Trailblazing Richmond, Virginia punk band Avail will reunite this summer for a series of sold-out shows, their first in twelve years, to celebrate the twenty-first anniversary of their album, Over the James. Originally released in 1998 on Lookout! Records, this re-issue will include bonus tracks that were added in 2006, when Jade Tree Records first pressed this title on vinyl. Over The James is the fourth album from Avail and this version includes the 14 original songs plus four bonus tracks including “Lombardy Street (Acoustic)” from the Fall of Richmond split with (Young) Pioneers and the band’s covers of Elvis Presley, Billy Joel and Embrace.
Looking Through The Shades, is Glitterer’s debut full-length album, featuring Ned Russin, bassist/vocalist of Title Fight. This is Glitterer all glown up. Now there are live drums (twin brother Ben did the honours) and dopamine-releasing fuzzy guitars to go with the synths, the bass, and the voice. Now there’s a full 14-song tracklist to luxuriate in. Produced by Alex Giannascoli and Arthur Rizk (Code Orange, Power Trip, Sumerlands) the album delivers Glitterer’s best-yet sonics and songs. The lyrics are still insouciantly tortured, in a reluctant-college-boy kind of way, the choruses are still obscenely catchy, and the arrangements still carry not so much as an ounce of excess fat. From the saturated distortion of the opener, “The Race” (“I wish I could look at your life and know it’s mine”), through the road-weary “1001” (“I sang 1,000 songs / didn’t want to sing again”) and the vox-and-bass-only Side B outlier “The News” (“I used to be original”), the listener is simultaneously satiated and left wanting more.
With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.
There's a timeless groove to the R&B of Yuna on her fourth forthcoming album Rouge, one that s been two years in the making. It s the most ambitious project the songwriter has ever taken on, and the first album she's putting out as a fully realized woman. It's also an LP that she worked harder than ever on, re-visiting songs, editing them down, adding new layers, enriching every single moment to make it the most luscious musical experience for her audience. Yuna makes soulful pop that contains the sultriness of Sade, the flair of Aaliyah, and the sweetness of Brandy. Via her three pre-existing albums, Yuna has built her palette of melodic, uplifting soul. Her third album Chapters in 2016 was something of a breakthrough, featuring production from Fisticuffs and features with Usher ("Crush") and Jhene Aiko. Her new album s list of features is mouth-wateringly impressive. It includes: Little Simz, Kyle, G-Eazy, Jay Park and Masego. Together with executive producer Robin Hannibal and a team of producers (Jason "J. Lbs" Pounds, Fisticuffs, Cardiak, Jordan Reyes) she explored sampling culture for the first time. The title Rouge is for the color red, which has been calling to her at this moment. "It's a feeling I'm having right now. I just got married. I've become the woman I've always wanted to be. The whole album is about how I am with myself: I'm comfortable with my relationship, with my focus on my career. It s the color of becoming this woman that I am."
Amoeba Gig is the first full length commercial release of Paul’s surprise free concert at Hollywood’s Amoeba Music on June 27, 2007. To date only four songs have seen wide release as the Amoeba’s Secret EP, two of which were nominated for Grammy Awards in 2008: "That Was Me" for Best Male Pop Vocal Performance and "I Saw Her Standing There" for Best Solo Rock Vocal Performance. A few years later in November 2012, an extended 12-song excerpt of the Amoeba show titled Live in Los Angeles – The Extended Set was made available free to PaulMcCartney.com premium members for a limited period. And come July 12, 2019, a full 21-song recording documenting possibly the most intimate L.A. show Paul has ever played will be made available to the public for the first time. The millions of people not among the luckier than lucky few hundred rubbing elbows with the likes of Ringo Starr and Woody Harrelson during that once in a lifetime in-store set will be able to experience those performances of Beatles classics “The Long And Winding Road,” “I’ll Follow The Sun” and “I’ve Got A Feeling,” Flaming Pie’s “Calico Skies,” plus Carl Perkins’ “Matchbox,” Jan Garber’s “Baby Face” and an emotional rendition of “Here Today.” Additionally, the LP will include an exclusive soundcheck recording of “Coming Up."
Amoeba Gig has been newly remixed by Paul’s engineer Steve Orchard and will be available in configurations including CD, Digital, 2 x 180g black vinyl, and limited-edition color vinyl (LP1 - clear, LP2 - hazy amber transparent).
The live-in-studio Choba B CCCP (Russian for “Back In The USSR”) was released in the Soviet Union in 1988, making Paul the first Western artist to issue an album exclusively for that market. In a conscious decision to get back to his roots, Paul spontaneously spent two days covering his favorite hits from the 1950s. The sessions produced 22 songs in total (and one of the outtakes being a version of The Beatles' "I Saw Her Standing There”). Choba B CCCP was a deeply personal album and a way to acknowledge fans who had supported him and The Beatles since the start. “When I was very young I asked my dad if people wanted peace,” Paul explained at the time. “He said to me, ‘Yes, people everywhere want peace – it’s usually politicians that cause trouble.’ It always seemed to me that the way The Beatles’ music was admired in the USSR tended to prove his point, that people the world over have a great deal in common. In releasing this record exclusively in the Soviet Union, I extend the hand of peace and friendship to the people of Russia.” Choba B CCCP was released in the rest of the world following the 1991 collapse of the Soviet Union.
Choba B CCCP has been newly remastered at Abbey Road Studios and will be reissued as the original 11-track Russian release. It will be available in configurations including CD, 180g black vinyl, and limited- edition opaque yellow vinyl.
Paul Is Live, recorded during the tour in support of Off The Ground, was Paul's fifth live album and is famous for its title s double meaning and the rumour-scotching cover art. Ever since the 1969 release of Abbey Road, there had been hoax-fuelled stories of Paul's untimely death. The new title was a way of saying that this was most definitely not the case. The artwork is a play on the famous Abbey Road cover, with Paul crossing that same street but wearing shoes and using his left hand this time. (Originally, his bare feet and the holding of a cigarette in his right hand had supposedly been clues that it wasn't him on the cover.) As well as a raft of solo, Wings and Beatles favourites, the album also offers an insight into the band's sound checks, the final three songs all being improvised during rehearsals in various locations on the tour. Performed by Paul McCartney: Vocals, Bass, Electric & Acoustic Guitars, Piano Linda McCartney: Vocals, Keyboards Hamish Stuart: Vocals, Electric & Acoustic Guitars, Bass Robbie McIntosh: Electric & Acoustic Guitars, Vocals Wix Wickens: Keyboards, Vocals Blair Cunningham: Drums, Percussion
Attempting to designate a musical category for Geraint Watkins is not without its challenges, but the perspicacious Nick Lowe once observed that he could be filed as "the missing link between Paulo Conte and Howlin' Wolf."
For so many years, a keystone of the bands of Nick Lowe, Van Morrison, Bill Wyman's Rhythm Kings, Dave Edmunds and countless more, Geraint Watkins is also a revered creator of his own sublime music, much of which has already been perfectly captured in a handful of solo albums.
For Rush Of Blood, Watkins found a new and unlikely collaborator in Simon Ratcliffe of The Basement Jaxx to push his boundaries even further. This unique aggregation-aided by some master musicians-has produced what will surely come to be regarded as his finest solo project yet.
"If you write the truth and you're writing about your life, it's going to be country. It'll be country 'cause you're writing what's happening. And that's all a good song is." Loretta Lynn COUNTRY MUSIC, the eight-part, 16-hour film by Ken Burns, chronicles the creation of a truly American genre of music through the songs and stories of its greatest trailblazers. Country Music A Film By Ken Burns (The Soundtrack) includes 29 timeless classics as heard in the film on 2 LPs, including songs by The Carter Family, Jimmie Rodgers, Bob Wills, Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton and many more.
There is a core element to Chelsea Wolfes musica kind of urgent spin on Americas desolation blues thats existed throughout the entirety of her career. Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components. As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence. The songs stem from humble beginnings little more than Wolfes voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs in their own studio and helped fill them out with his modern production treatments and auxiliary flourishes from ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola). Every Chelsea Wolfe album introduces new unorthodox textures and approaches, and the trajectory of her creative arc has generally aimed for larger and more imposing sounds, but Birth of Violence deliberately alters that course in favor of a more intimate atmosphere. The result yields Wolfes most devastating work to date.
Brandon Williams' second full-length record as Chastity, Home Made Satan, is a new direction for the Whitby, Ontario-native. It's an emotional and political concept album from the perspective of a young man who's spent too much time alone, inside, isolated from the world. It's about fear, and radicalization; an intense meditation on youth and extremism in an increasingly irrational and violent Western World. Williams, who produces all his own music, set out to create something with a strong cinematic nature. "It's so visual to me," he says. "I'm scoring this picture I have, and trying to get it as close to people's ears as it is in my mind." The new songs are gothier and poppier than ever, recalling '80s staples like The Cure and Siouxsie and the Banshees. Home Made Satan's got "a bit more eyeshadow" than 2018's genre-bending shoegaze-meets-post-hardcore Death Lust, and it's got pop-punk hooks for days. Home Made Satan, with it's lines about commies and American masochism and the Christian right, is meant to sing along to. And when you do, you'll mostly be singing about America. About hyper alienation and xenophobia, about the people who don't have access to community, how people get stuck in their own worlds and become afraid of what's outside. "It constantly feels like America is falling apart," Williams says, and that affects the whole world.
Thom Yorke’s new album ANIMA released summer 2109 was written by Thom Yorke and produced by Nigel Godrich. The album features 9 tracks, with an extra track exclusively on vinyl. A ‘one-reeler’ film, also entitled ANIMA , is available to watch exclusively via Netflix worldwide from midnight 27th June. Made by Paul Thomas Anderson to music from Thom’s album, the one-reeler has a run time of approximately 14 minutes.
King’s Mouth contains twelve new original Flaming Lips compositions as well as album narration by Mick Jones (The Clash). The record is based on Wayne Coyne’s immersive art installation of the same name - which has seen its psychedelic visuals and soundscapes exhibited in museums all around the U.S.
Los Angeles Alternative band Grizfolk's new album Rarest Of Birds is an ode to Southern California classic rock with a 2019 spin. Dynamic, upbeat, and dreamy, "Believing" may be the best representation of the album.
Vinyl LP pressing including digital download. 2019 release. Grammy nominated rock band Sum 41 is back and bigger than ever with their seventh studio album Order In Decline. Written, produced, mixed, and engineered by frontman Deryck Whibley, Order In Decline is a burst of uninhibited feeling, a page out of his journal, a window into his soul that reflects on extremely personal and vulnerable events. The album is undoubtedly Sum 41's heaviest and most aggressive album in their storied career, while also being it's most dynamic and raw.
Tuxedo, Los Angeles-based recording artist Mayer Hawthorne and Seattle-based producer Jake One, has been steadily making a name for themselves over the past five years, standing at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk. This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk. Their third album, Tuxedo III, will be released on 7/19/19.
Hamell On Trial is set to reissue Choochtown (20th Anniversary Edition) Digitally and on CD with 11 bonus tracks from the original recording sessions with Billy Nicgorski. Choochtown will also see its first proper vinyl release worldwide. The vinyl version is a remastered version of the original album released in 1999. Ed Hamell on ChoochtownI was living in Brooklyn, constantly on the road, and been dropped from my major label deal on Mercury/Universal. I really had nothing to lose and I was very inspired, if I remember, by the movie Pulp Fiction and the Biggie Smalls record: Ready To Die. I recorded anywhere I could. My friend Billy Nicgorski had an analog one inch studio in his basement, his younger brother had a band and I would use them. I also did a bunch of it in my basement in Brooklyn which had a dirt floor and I set the recording gear up on plastic paint pails. Used them as drums sometimes too. I released it on my own label Such-A-Punch and it got licensed to Evangeline in the UK where it got rave reviews and established my career over there. After all the press I got for my first two albums on a major I couldn't get anything over here in the States, only that CMJ magazine which took their silliness pretty seriously who basically said, We don't know what it is but it's art. Duh. I'm pretty proud of all my records, I've been very lucky in that I've always been able to maintain complete creative control but this one I was particularly proud of because every inch of it, from the recording which one track as you'll see was recorded on my boom box, to the artwork, was all mine. ...amazing and entertaining and poignant... -- The Stereo Times Online Magazine, October 2000 ...high-spirited...manic energy..artful -- CMJ, April 2000 *****(5 stars--highest rating) Absolutely brilliant! -- UNCUT Magazine, April 2001
Scott Stapp is known as a Grammy winning songwriter and frontman for Creed (over 50 million albums sold worldwide), and for his work as a solo artist who released the platinum-certified The Great Divide (2005) and Proof of Life (2013) which featured his first solo Billboard #1, “Slow Suicide.” His next solo venture reflects a new outlook after the biggest fight of his life – five years and counting. With new single “Purpose For Pain,” one of rock’s biggest names roars back to the scene with a driving, introspective new single. It is the first song from Scott Stapp’s upcoming album, THE SPACE BETWEEN THE SHADOWS, set for July 2019 release on Napalm Records. The album documents a five-year journey to find meaning – and redemption – in a world where shadows lurk and the space between is a gauntlet towards the light. Scott’s evolution, both personally and professionally, now reflects a powerful vocal style from an artist with a strong sense of purpose in sharing the silver lining of his survival. As such, he is an inspiration to others who struggle with the often over-lapping illnesses of addiction and depression. Scott Stapp’s With Arms Wide Open Foundation helps military vets and their families with issues of drug addiction, PTSD-triggered mental health issues and suicide prevention. In 2017, the Florida Association of Broadcasters awarded Scott Stapp with the Florida Service Award and in 2018 he was inducted into the Florida Music Hall of Fame.
This June, The Prince Estate, in partnership with Warner Bros. Records and TIDAL, will release Originals, a 15-track album featuring 14 previously unreleased recordings that illuminate the vital, behind-the-scenes role Prince played in other artists' careers. The tracks were selected collaboratively by Troy Carter, on behalf of The Prince Estate, and JAY-Z.
By the mid-1980s, Prince was dominating the charts even as a writer/producer with songs he'd composed and recorded for others. In addition to releasing nine of his most commercially successful full-length albums, he also wrote and recorded endless reels of material for proteges The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, and Mazarati. Occasionally, Prince's original demo recordings would be used as master takes on their albums, with only minor alterations to the instrumentation and a replacement of the vocal tracks. Other times, artists would rely on his demos to guide them through their own recording process, with Prince's initial take informing their final version of his song. The aggregate effect was a complete saturation and transformation of the pop music landscape, with Prince both leading and subverting mainstream culture.
HUNNY is a band from Newbury Park, CA who first made a name for themselves in early 2015 after releasing their debut single “Cry for Me”. They have since released 3 Eps, including 2018’s “Windows II.” Tastemakers and fans alike found the Southern California group to be a perfect mix of post-punk tinged pop and their childhood influences like Prince and The Cure. The result is a sound that feels uniquely them. With a few more years and more material under their belt, HUNNY has gained fans across the globe by touring with the likes of The Neighbourhood, Beach Slang, The Frights and more. This is just the start of a long and promising career for HUNNY. HUNNY is front man Jason Yarger, guitarist Jake Goldstein, bassist/keyboardist Kevin Grimmett, and drummer Joey Anderson.