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In McIntosh's words, MOJO is a fully realized expression of youthful perspective that breaks the mould of modern pop: "The whole album has feminine pronouns being used in the place of a love interest. I wanted to write those songs for the younger audiences to hear, because I think it should be normalized in the pop music you hear today.”
With a colorful and impressive debut album already to her name, all eyes are on McIntosh as she hits the studio to work on her next project."
The Buckleys, a three-piece band featuring siblings Sarah, Lachlan, and Molly, embody a brand of “hippie country” representing the infectious personality and spirited conscience that the band maintains. The debut album features the singles “Money,” “Leave Me Hanging On,” and the title track “Daydream” which scored a #1 single at Australian country radio, followed by “I’m Comin’ For Ya (Love),” which hit #3. Nominated for New Talent Of The Year Award at the 2020 Country Music Awards Australian.
Born in New York City, 21 year old Maya Hawke is an actress, singer and lyricist. Hawke was most recently seen in the third season of Netflix’s “Stranger Things,” as well as in Quentin Tarantino’s “Once Upon a Time in Hollywood” and Amanda Kramer’s “Ladyworld.”
Following the release of her independently released A and B side singles in 2019, she returns with a deeply personal full-length album. Hawke, who wrote the lyrics, continued her collaboration with Grammy Award-winning songwriter Jesse Harris, who wrote the music for the album.
On creating the album, Hawke says, “This album happened accidentally… Jesse and I started working together accidentally... we kept writing, kept collecting songs because it brought joy into both of our lives. Collecting them into an album and releasing it comes from a crazy, if not pathological desire to share that joy with others. From my point of view, ‘Blush’ is a collection of secret messages, hidden communications with the people in my life. ‘By Myself’ was a secret message to myself, that I hope I’ll receive someday soon.”
The Shadow is an album of growth. In the years since our previous album SLUFF was recorded, we have toured around the world, honed our musical skills and found our own little place in the music industry - but we have also seen our share of shadows, and it is through acknowledging these shadows that we grow the most. Each song on The Shadow examines an aspect of this growth through a different musical lens, adding up to a series of rock-and-roll vignettes of light, shadow, anxiety and responsibility. Frantic punk-scenes of information overload are contrasted by patient drones of introspection; fun, ear-worm musings of life as a young rock band are juxtaposed with the heavier responsibility of having a voice and not quite knowing what to say. The amalgam of information in the songs is complemented with a blend of sonic perspectives - we threw in all our infl uences, from the usual suspects of punk rock and new wave to spacedout 80’s balladry, fuzzy garage-metal and psychedelic desert folk (with synths and tape loops added to taste). And with producer Chris Funk leading the way, our somewhat scatterbrained sprawl of musical and conceptual ideas are tied together in an artful way. Chris’ quiet but steady direction pushed us to serve the songs, reigning in the guitar pedal breaks and drum solo freakouts from our live set while leaving just enough unpredictability and experimentation to give the album a liveliness of its own.
With her heart-swelling, folk-inflected pop, music's bright-eyed anthropologist, Alex the Astronaut, uses uses sprawling narratives and rich vignettes to unravel the joys and struggles of everyday life on her debut album. Brough to life with infectious melodies, plucked guitar, and Alex's unmistakable vocals. The Theory of Absolutely Nothing is the work of a storyteller attuned to the world around her.
Josh Turner returns with his new studio album, Country State Of Mind. The 12-track record highlights some of Turner’s favorite Country Classics, and features guest appearances from John Anderson, Kris Kristofferson, Chris Janson, Runaway June, Maddie & Tae, and the legendary Randy Travis. CD packaging includes a bonus “Country State Of Mind” decal sticker.
Narratively, H.C. McEntire’s Eno Axis is about finding direction in the natural world, and following love. Sonically, it’s an album shaped enormously by the atmosphere it was recorded in—the crew’s synergy and positivity, the proximity and presence of a band in a room playing with intention. Structurally, it’s a group of songs inspired by the colors and tones of open tunings, by the sacrality of space and instinct. Stylistically, it’s folk-rock leaning into its curious experimental side and moved by the spiritual rawness of classic soul and the simplicity of earnest pop. Eno Axis feels like a confident and mature step forward from her debut album LIONHEART—in tone, arrangement, production, and spirit.
Freeze, Melt, the sixth album from the Grammy-nominated Australian electronic/synth-pop band Cut Copy. Lead single 'Love Is All We Share' earned praise from Rolling Stone ["meditative and immersive"], Stereogum ["hypnotic"], Consequence Of Sound ["a fitting mood for the current state of the world"], Pitchfork, The Line Of Best Fit, and numerous other outlets. Their 2011 album Zonoscope won two ARIA Awards, earned a Grammy nomination for Best Dance/Electronica Album, and reached #2 on Billboard's Dance/Electronic Albums chart, #3 on Australia's ARIA Albums chart, and #8 on the UK's Independent Albums chart. Their most recent album Haiku From Zero  earned praise from NPR ["their finest album in years"], Stereogum [“a rush of infectious grooves and melodies"], Exclaim! ["another strong effort by a band that continue to celebrate the power of dance music"], and DIY. If Haiku From Zero was the party, Freeze, Melt is the Sunday morning comedown. Released independently via their own label imprint, Cutters Records.
“I allowed myself to support a narrative I thought I had to support of PVRIS being a band,” Lynn confesses. “I didn’t really have a role model for this. Coming from a ‘band culture,’ it’s about how the group is always greater than the sum of its parts, and you’re not supposed to take credit, even if you do everything. There’s no template or role model for really owning it as a woman. I wanted to make everyone else happy and uphold an image I thought we had to. Growing up, I learned I don’t have to do that anymore. I’m finally allowing myself to take credit. I’ve got the full support and encouragement of my bandmates. PVRIS is a unit and very much a team, but the heart and soul of the vision and music always has sourced from me. I’m just saying it now. I fulfilled my own vision of what a role model should be.”
Writing and recording all of 2019, she found the perfect collaborator to bring this to life in JT Daly [K. Flay]. With Lynn writing, cooking up beats, playing guitar, drums, and bass, and singing, he amplified and augmented her vision and versatility in the studio. PVRIS set the foundation for the new era with recent EP, Hallucinations, spawning lead single and title track “Hallucinations,” which clocked 10 million total streams in a few months’ time, as well as fan favorites, “Old Wounds” and “Death of Me.”
Vinyl: $50.98 PRE ORDER
52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
Gregory Porter, the world’s best-selling contemporary Jazz/Soul artist with over 3 million worldwide album sales returns with ALL RISE, his sixth studio album. The album marks a return to Porter’s beloved original songwriting – heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues and gospel. Produce by Troy Miller (Laura Mvula, Jamie Cullum, Emili Sande), the set also represents the evolution of Porter’s art to something even more emphatic, emotive, intimate, and universal too. After 2017’s Nat King Cole & Me, Porter knew two things: one, he’d bring in an orchestra for his next LP, and two, the music is medicine. In the spirit of that latter revelation, ALL RISE brims with songs about irrepressible love, plus a little protest, because the road to healing is bumpy.
Since his world-beating 2013 Blue Note debut, ‘Liquid Spirit’, which won the Grammy for Best Jazz Vocal Album, Gregory hasn't let down his legion of fans, whether collaborating with Disclosure on ‘Holding On’, releasing his dance hit ‘Liquid Spirit – Claptone Remix’ which became one of the most popular tracks in Ibiza, scoring another Grammy for ‘Take Me to the Alley’ (2016), or telling his life story through Cole's songbook. Porter is still surprised by his runaway success, but he has a theory: "I was soothed by my voice as a child and I think that's the same thing others get from it. I'm trying to heal myself with these songs."
Not only has Gregory made chart history by bringing jazz back to the masses, graced the iconic Pyramid Stage and the world’s most prestigious gig venues, performed for the Queen, appeared on the biggest TV shows as well as presented his own series (‘Gregory Porter’s Popular Voices’ on BBC Four), 2019 saw the singer launch and host his own podcast, ‘The Hang’, featuring such distinguished guests as Annie Lennox and Jeff Goldblum.
Marc Bolan has been famously cited as a major influence by some of the biggest names in music from David Bowie to Johnny Marr.
Bolan’s golden era was in the late sixties and seventies when he was the biggest selling singles artist since the Beatles, movie star and the electric spark behind Glam Rock. He died in 1977 aged just 29, after a car crash in Barnes, London but his reputation has only grown.
Later this year Marc will be inducted into the Rock n Roll Hall Of Fame and 50 years since the first T.Rex single and album, illustrious fans have gathered to pay tribute and argue for his place amongst the music greats.
For ‘AngelHeaded Hipster’, a collection of major stars including Nick Cave, U2 featuring Elton John, Joan Jett, Peaches and Marc Almond have reinterpreted and reimagined some of his greatest tracks including Jeepster, Bang A Gong (Get It On) and Ride A White Swan.
Every track reveals a different Marc and offers a unique appreciation of a multifaceted musician, writer, poet and composer.
AngelHeaded Hipster was lovingly created by the late Hal Willner, who passed away on April 7 from COVID-19. The acclaimed music producer, who “for nearly four decades bent and shaped the dimensions of almost-popular music” (New York Times), produced albums for artists including Lou Reed, Marianne Faithfull and William S. Burroughs, and concept albums drawing upon the music of Thelonious Monk, Kurt Weill, vintage Disney films and others.
ALL THEM WITCHES have built a career out of playing music that can not be pigeonholed into one specific genre. NOTHING AS THE IDEAL was recorded in Studio 2 at the world famous Abbey Road with the help of longtime mixing engineer Mikey Allred. The history and vibe of that setting laid the groundwork for what was to come. The band’s signature psychedelic blues riffs, relentless drums, melodic bass lines and non-linear lyrics are all present. The resulting album is a thought provoking head banger that is the band’s most cohesive album to date.
The whole story could’ve been written in the stars…
Astrology tells us a “Saturn Return” happens when the planet Saturn revolves back to the same position it held upon our birth. It typically takes almost thirty years. However, in the case of Delta Spirit, it took a little less than fifteen. The enduring California rock quintet—Matthew Logan Vasquez [vocals], Kelly Winrich [multi-instrumentalist, vocals], Will McLaren [guitar], Jon Jameson [bass], and Brandon Young [drums]—realign on their fifth full-length and first album since 2014, What Is There. As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. In the end, Delta Spirit not only return, but move forward together on What Is There.
Bright Light Bright Light is singer, songwriter, producer and DJ born in Wales, living in NYC and obsessed with pop culture, particularly from the 80s and 90s. Over the course of his 3 commercially released albums he's toured with Cher, Ellie Goulding and John Grant, and toured AND recorded with Sir Elton John, Scissor Sisters and Erasure. He's an avid record collector, DJing pop obscurities he finds on his vinyl treasure hunts at his weekly DJ sets (online on Twitch.tv/brightlightx2 at the moment) that have been praised by Time Out NY. Equally inspired by 80s/90s movies and artists like Kate Bush, Björk, Ace Of Base, Max Richter and Pointer Sisters, he's a music geek at heart, and a renowned artist on stage, currently the first and only unsigned (he runs his own label) artist to perform on Graham Norton's BBC One TV Show.