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Throughout their career, Blackberry Smoke has embodied Georgia’s rich musical legacy, honoring the people, places and sounds of their home state. As the band celebrates their 20th anniversary this year, their reverence for Georgia has only deepened.

On their latest album, You Hear Georgia, the follow-up to 2018’s critically acclaimed Find a Light, Blackberry Smoke is further celebrating these roots with 10 new songs that feel like Georgia, accented by the addition of Grammy-winning producer and fellow Georgia-native, Dave Cobb (Jason Isbell, Brandi Carlile). “Dave and I had spoken for the last few years about making a record,” Starr says. “Finally, it worked out, our schedule and his schedule, and we said, yes—let’s make a record.”

Blackberry Smoke worked quickly, spending just 10 days at Nashville’s famed RCA Studio A, Cobb’s home base since 2016. The band recorded live on the floor, giving You Hear Georgia a crisp, outgoing feel. Like other Blackberry Smoke efforts, this album leans into well-crafted Southern rock driven by jagged guitar riffs and rich instrumentation, as the band layers on rollicking piano (“Live It Down”), funky grooves (“Hey Delilah”), and introspective acoustic sounds (the stripped-down, folk-leaning “Old Enough to Know”).

The title song, “You Hear Georgia” features a narrator who’s underestimated because of outward appearances and misguided stereotypes, which is a theme of Starr’s lyrics this time around, particularly as it relates to the band’s Southern roots. “Lyrically, the song is about the South being misunderstood. It’s obviously a rough and tumble world, and there’s a lot of bad people. But there’s a lot of good people too. It started with the idea of how people might have a preconceived opinion of you because of a thick Southern accent, then expanded into the reality of how some people just seem to have such a hard time getting along, thanks to political or religious views, or simply what part of the country you come from.”

Many of You Hear Georgia’s songs describe characters that are restless and prone to seeking out a change of scenery, in hopes of finding a place where they belong. Against cinematic backdrops with vivid details, it’s easy to empathize with these protagonists as they share pearls of wisdom (“Don’t ever trust a grown man with a nickname”) and exhibit deep self-awareness (“Anywhere’s better than staying here, with the ghosts running thru his mind”) along the way.

You Hear Georgia reinforces that the band members have come so far together because they also can rely on one another for support and creative direction, no matter what the circumstances.

On “bb u ok?”, San explores the intersection of festival anthems and lo-fi bedroom ballads by mixing more analog instruments and equipment into his genre-bending sound. He fleshes out his band with collaborations, from “album1” returnees Bipolar Sunshine and The Nicholas, to long-time heroes of San’s including Illinois indie rockers American Football and Rivers Cuomo.

San Holo’s first album, album1, debuted on the Billboard Dance/Electronic Album chart at No. 7 and topped the iTunes Electronic Charts in the US, Canada and other countries. Following the release of the album, San embarked on a year-long world tour that hit 75 dates across Asia, New Zealand, Australia, Europe and North America, selling 100,000 tickets in NA alone. Even more than the ticket sales, streams and awards, album1 proved the strength of San’s international fanbase. The artist deepend that relationship throughout 2020 with his Stay Vibrant movement, a concept that asks for honesty with oneself and others.

Riley Downing (The Deslondes) sat down one day and decided he wanted to record a song or two for a simple 45. The Deslondes had been on a hiatus for a while and Downing had the creative itch to put something down on record. He had been in contact with his bandmate, John James Tourville and they decided to work on a split 7” with a friend. 

The recording session felt like a breath of fresh air and the communion of talented musicians produced more songs than expected. Downing left the session energized and continued to record and trade demo’s with Tourville. Downing and Tourville decided that there were enough ideas to make an album. There were not going to be any rules  and nothing would be discarded. All notes and lyrics would be considered.

Start It Over is the result of that creative effort. An album where each song was crafted with a different idea in mind. Some of the songs are more nostalgic than others and some were just written for good ol fashion fun. There is a romantic quality in each song. One song might help someone  get through a hard time while one song might contribute to a good time.  One song might bring up memories of a better time or just get you far enough down the road to start over.

While many know Bergman as one half of brother-sister duo Wild Belle, her forthcoming record is a cathartic collection rooted in the hopeful values and traditions of gospel that have helped her through the recent, tragic loss of her father. On the signing of Natalie Bergman, Third Man Records co-founder Ben Swank adds, “Natalie has a unique vision and has approached this album with a reverence for the sacred and healing nature of the history of this music, but has managed to update it in a way that is distinctly her own. We're very excited to welcome her to the Third Man label and family.” Alongside her brother Elliot, the island-influenced music Natalie Bergman made in Wild Belle has led to collaborations ranging from Major Lazer to Tom Tom Club, performances at Coachella and Lollapalooza, tours with Beck, Cage The Elephant, Toro y Moi and more. Helmed by her heavenly voice, Bergman’s solo album is steeped in mystic melodies and time-bending tones of psychedelic rock and soul. Showcasing her multi-instrumental and creative versatility, songs will be accompanied by visuals that blend her own abstract artwork, self-designed wardrobe and beyond. Stay tuned.

The perfect complement to the film available as a 5-LP 180-gram black vinyl set for the Zappa completist. Showcasing 69 total songs, with 12 previously unreleased recordings from archive along with the 1978 Saturday Night Live performance; 24 additional Zappa songs from the catalog spanning 4 decades; songs from Zappa's labels Straight / Bizarre Records; 2 classical compositions by Edgard Varese and Igor Stravinsky; and 26 Original Score cues newly composed by John Frizzell for the documentary.

Leon Vynehall returns with new album ‘Rare, Forever’ — the follow up to his critically acclaimed debut album ‘Nothing Is Still’, which garnered widespread praise including appearing in ‘Album of the Year’ lists from Rough Trade, Mixmag, Esquire, Resident Advisor and received an 8.2 review from Pitchfork (also included in their Albums of the week roundup).

Vynehall has collaborated with Eric Timothy Carlson and Aaron Anderson (both Grammy nominated for their work with Bon Iver) on the 'Rare, Forever' artwork and imagery .

On the heels of his recently released New York Times Best Selling memoir, the rock n' roll legend and Grammy winning artist Peter Frampton turns his focus back to music with his new studio album Frampton Forgets The Words. With his 1954 Les Paul Phenix, Frampton brings virtuosic guitar playing to 10 instrumental interpretations of his favorite songs including "Isn't It A Pity" by George Harrison, "Reckoner" by Radiohead, and more. Now available on 180g 2LP black vinyl, with an etching on side D.

Reigning CMA Entertainer of the Year Eric Church confirmed that new music is on the horizon: "I have [new] albums coming out in April. They came out of my 28 days in the mountains of North Carolina, where the songs were recorded and written. The collection is entitled Heart & Soul."

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Eric Church  - Heart

After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records. Indie Exclusive on white vinyl.

Reigning CMA Entertainer of the Year Eric Church confirmed that new music is on the horizon: "I have [new] albums coming out in April. They came out of my 28 days in the mountains of North Carolina, where the songs were recorded and written. The collection is entitled Heart & Soul."

Also Available:



Eric Church  - Soul

In the midst of the thick New Orleans summer of 2017, Chris Lyons of garage punks Bottomfeeders found himself sitting on a small batch of songs that didn’t quite fit the fuzzed-out pileups of that band. The new songs were more chiming, driving but relaxed, full of little corners begging to be filled with classic pop harmonies and wayward country licks. He called in his trusted confidants: Bottomfeeders drummer and longtime musical partner Lucas Bogner—the two started playing music together at the tender age of 15—plus bassist Pete Campanelli, and Kunal Prakash (Jeff the Brotherhood) dug the songs and signed on, and the quartet started playing in earnest, hunkering down in the practice space.

By the time the band played its first gig in late 2018 at the opening of Nola’s ManRay Records, the songs had multiplied and the members of the newly christened Silver Synthetic had become genuine rock & roll craftsmen. In a world that doesn’t seem capable of swaying, Silver Synthetic’s self-titled debut shakes and boogies.

It makes sense that the band’s first gig was in a record shop ‘cause folks, this is record nerd-core in a major way, evocative of the LP's first golden era, as the late sixties oozed into the strange 1970s, with the requisite T-Rex stomps, Britfolk twists and turns, and dueling Verlaine/Lloyd guitars. It’s about warmth, and you can practically smell the gently glowing amp tubes on “In the Beginning,” which wafts along on a gust borrowed from Lou Reed’s beatific Coney Island Baby breeziness. With “Chasm Killer,” the boys lean into jammy heartland rock, almost approaching Silver Bullet Band territory at one point! Even when the band kicks into charging lean rock-n-roller, like on the Kinksy “Around the Bend,” there’s a laid-backness that allows more room for the spirit.

You could call Silver Synthetic rock & roll formalists, but the truth is they're more like minimalists, stripping away tired clutter and unnecessary bloat and just zooming in on the essential.

On April 9th, SPIRIT OF THE BEEHIVE will release their fourth album and Saddle Creek debut, ENTERTAINMENT, DEATH. The album signals new chapters for the band on multiple fronts, being the first to feature their new three-piece lineup, as well as the first to be entirely self-recorded and produced. Guitarist/vocalist Zack Schwartz and bassist/vocalist Rivka Ravede are now joined by new member Corey Wichlin, a multi-instrumentalist who relocated from Chicago to the band’s home territory of Philadelphia last year. Ever since their self-titled debut in 2014, they've developed a reputation for being your favorite band’s favorite band. Theirs is the music of immersion, of confrontation, the kind that makes a listener stop and wonder, “How are they even doing that?” 

Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."

Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

Green to Gold is the much-anticipated new album from New York based, Indie/Folk band, The Antlers. Perhaps what distinguishes Green to Gold from the rest of The Antlers’ canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, Green to Gold is the band’s first new music in nearly seven years, and easily their most luminous to date. ”I think this is the first album I’ve made that has no eeriness in it,” singer and primary songwriter Peter Silberman asserts. “I set out to make Sunday morning music.”

The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of Upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Silberman explains. “I took these health obstacles as a sign that I should change course for a little while. I hadn’t made a full stop like that since The Antlers began.”

But he still felt the strong pull to spend time and work with longtime drummer Michael Lerner, and frequently invited him up to visit the idyllic hamlet he now called home. The two friends’ days typically involved long walks in the woods, but routinely ended up in Silberman’s converted-garage studio. “I would record him playing drums in the studio while he listened to old soul and R&B songs in headphones... and those drum recordings ultimately served as starting points for the songs that followed. At the time, we were merely attempting to make music together again, without really knowing how to approach it, or to what end.”

“I think the shift in tone is the result of getting older. It doesn’t make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I’m sure our audience does too. Green to Gold is about this idea of gradual change,” he sums up. “People changing over time, struggling to accept change in those they love, and struggling to change themselves. And yet despite all our difficulty with this, nature somehow makes it look easy.”

For two decades, Sara Watkins has been one of the most visible artists in roots music, with her catalog ranging from solo albums and Watkins Family Hour, a duo with her brother Sean Watkins, to her Grammy-winning bands Nickel Creek and I’m With Her.

With the nostalgic and gentle new album Under the Pepper Tree, Sara Watkins offers a comforting record for those moments as daily rhythms fade into nightly rituals – and when a child’s imagination comes to life.

Made with families in mind, the personal project encompasses songs she embraced as a child herself, as well as the musical friendships she’s made along the way. Recorded in Los Angeles with producer Tyler Chester, Under the Pepper Tree brings storytelling, solace, and encouragement to the listener, no matter the age.

Carrie Underwood will be releasing her first ever Inspirational album on March 26th entitled My Savior. Available on Double White Vinyl on April 30th.

With a keen grasp on textural and emotive songwriting, SYML aka Brian Fennell wrote this EP choosing to paint in piano rather than using lyrics to describe his feelings. Says Fennell, "Words can be limiting, especially when the writer isn’t speaking a language you understand. I wanted to make a piece of wordless music that still tells a story."

Championed by Sir Elton John on Apple Music Beats 1. From the label that is pioneering the new wave of 21 st century Rock N Roll artists. Following in the footsteps of bands like Rival Sons, The Temperance Movement, Blackberry Smoke, Massive Wagons & Those Damn Crows. Developed a fearsome live reputation with relentless touring up and down the UK. Played festivals such as Ramblin' Man Fair, Planet Rockstock & Winter's End. Chosen for the support slots with the likes of Black Stone Cherry * The Dead Daisies Huge support from major UK Rock media such as Classic Rock Magazine and Planet Rock Radio (1.2 million listeners per week)

Esther Rose was in perpetual motion when she wrote How Many Times. In the span of two years, she moved three times, navigated the end of a relationship, and began touring more than ever. The New Orleans-based singer-songwriter used that momentum while she penned her third studio album. That's why, as the album title's nod to the cyclical nature of life implies, there's a rush that accompanies How Many Times as if you're experiencing an awakening, too.

With the integrity of Dean Johnson, Faustina Masigat, and Kiki Cavazos serving as primary influences, Rose expands her alt-country sound into a blossoming world of folk pop, rustic americana, and tender harmonies. A collection of complete takes recorded live to tape with rich instrumentation, soul-tugging hooks, and resonating vocal melodies, How Many Times carries you into the room in which it was made. There to help realize this was co-producer Ross Farbe of synthpop band Video Age, who Rose also credits for bringing a stereo pop glow to these new songs. From opening for Nick Lowe on tour to being asked to sing on Jack White's latest album, Rose's journey through the past few years has been one of saying yes to new opportunities, all while nurturing and playing in bands in the New Orleans country music scene. The arrival of How Many Times is evidence of the sweeping growth Rose has undergone, both personally and artistically. She's turning towards her troubles and facing them head-on, ready to feel whatever's necessary in order to keep growing upwards and outwards.

Fleet Foxes will release their fourth studio album entitled SHORE, a collection of 15 new songs, on February 5, 2021 on double-gatefold 2LP vinyl and CD.

Fleet Foxes’ Robin Pecknold shares, “SHORE feels like a relief, like you’d feel when your feet finally hit sand after getting caught in a riptide. It’s a celebration of life in the face of death, honoring our lost musical heroes, from David Berman to John Prine to Judee Sill to Bill Withers, embracing the joy and solace they brought to our lives and honoring their memory. SHORE is an object levitating between the magnetic fields of the past and the future.”

SHORE was released digitally in its entirety on the fall equinox (9/22) alongside an album length Super-16mm landscape film captured and edited in Washington State by the filmmaker Kersti Jan Werdal. The album was recorded in upstate New York at Aaron Dessner’s Long Pond Studio, in Paris at Studios St. Germain, in Los Angeles at the legendary Vox, in Long Island City at Diamond Mine, and New York City’s Electric Lady.

Fleet Foxes' self-titled debut made a profound impact on the international musical landscape, earning them Uncut's first ever Music Award Prize and a spot in Rolling Stone's 100 Best Albums of the 2000’s. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor (MOJO ★★★★★, Pitchfork’s Best New Music) and earned them a GRAMMY nomination. Both Fleet Foxes and Helplessness Blues are certified Gold in the US. The band’s third studio album Crack-Up, released in 2017, charted #9 on the Billboard Top 200.

No One Sings Like You Anymore is Chris Cornell's handpicked collection of 10 cover songs, which he personally selected and sequenced to celebrate artists and songs that inspired him, including John Lennon's "Watching The Wheels," "Get It While You Can," popularized by Janis Joplin, a new recording of Prince's "Nothing Compares 2 U," and two songs currently available as digital singles, Lorraine Ellison's "Stay With Me Baby" and Chris's 2020 hit "Patience" originally recorded by Guns N' Roses.

On August 20, 2020 the world lost an amazing light with the passing of Justin Townes Earle. Justin was a vibrant songwriter who could play the blues, country, and rock n roll all in the same song.  In his short career, Justin released eight albums and one EP that all manage to sound classic and yet inventive.

Justin's father, Steve Earle, pays tribute to his son by recording an album of songs written by Justin titled, J.T.  The album consists of ten Justin Townes Earle songs as well as one song written by Mr. Earle shortly after Justin's passing. J.T. features fan favorites such as "Harlem River Blues," "Far Away In Another Town" and "Champagne Corolla" along with lyrically heavy songs like, "The Saint of Lost Causes" and "Turn Out My Lights."

J.T. is a loving tribute to a loved son and beautiful songsmith who left this earth too early.  But in his wake, Justin left a wealth of beauty.  All proceeds from this release will be put into a trust for Justin’s 3 year old daughter, Etta.

'Zoom In' was recorded at Ringo Starr's home studio from April-October 2020. The 5 new songs "Here's To The Nights," "Zoom In Zoom Out," "Teach Me To Tango," "Waiting for the Tide to Turn" & "Not Enough Love In the World" include contributions from Paul McCartney, Joe Walsh, Ben Harper, Dave Grohl, Sheryl Crow, Chris Stapleton, Steve Lukather, Jenny Lewis, Lenny Kravitz, Corinne Bailey Rae, Eric Burton, Yola, FINNEAS, Benmont Tench, Robbie Krieger, Sam Hollander, Bruce Sugar & more.

Paul Stanley's Soul Station is a new project from the legendary lead singer of KISS, Paul Stanley. Paying homage to influences of his youth, Stanley has called upon a set of seasoned musicians to record a set of classic Motown covers & five original songs on NOW AND THEN. Available on 2LP Black Vinyl.

The Black Crowes Present: Shake Your Money Maker, the multi-platinum debut by the seminal rock n' roll band celebrates it's 30th Anniversary with a suite of reissues. The 4LP Super Deluxe version includes the original album, remastered; 3 never-before-heard studio recordings; 2 unreleased demos from the band's early incarnation as Mr. Crowe's Garden; B-sides; a spectacular, high-energy 14-song unreleased concert recorded in their hometown of Atlanta, GA in December 1990; reproductions of an early Mr. Crowe's Garden show flyer, setlist and tour laminate; a 4" Crowes patch; and a 20-page book with liner notes by David Fricke. Limited edition 8"x10" glossy photo print in the box. Only 1000 photos made for the world.

Founded by Benjamin Plant, Miami Horror extracts ethereal melodies from down-tempo nocturnal soundscapes punctuated by funky struts, glossy electronics, and luminous pop. Miami Horror has generated a staggering 100 million-plus combined streams with a catalog highlighted by anthems such “I Look To You (feat. Kimbra),” “Real Slow (feat. Sarah Chernoff),” and standout singles from the debut album “Holidays (feat. Alan Paloma)” and “Sometimes.” Also, they’ve garnered acclaim from Billboard, NPR Music, Forbes, MTV, Pitchfork, Stereogum, EARMILK and many others. They’ve graced the stages of festivals such as Coachella, Governors Ball, Electric Forest, Splendour in the Grass, Beyond the Valley, Just Like Heaven, Funka Fest in Ecuador, and Corona Capital Festival in Mexico.

Now signed to Nettwerk Records, Miami Horror revisit and recharge their seminal debut album Illumination with a 3-LP, 10th-Anniversary edition featuring twelve remixes four B-sides , and a lush 25-minute trip through the entire record entitled “Lucid Stream.”

As a rock icon and filmmaker with a unique vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of both music and film. He has sold more than fifteen million albums worldwide, and is the only artist to experience unprecedented success in both music and film as the writer/director of eight feature films with a worldwide gross totaling more than $150 million.

October 2020 sees the release of the first new ZOMBIE track and video in over four years - "King Freak: A Crypt Of Preservation And Superstition" off of the forthcoming full-length album entitled The Lunar Injection Kool Aid Eclipse Conspiracy. A classic ZOMBIE album through and through with high-energy rages like The Eternal Struggles of the Howling Man and Get Loose to heavy-groove thumpers like Shadow Of The Cemetery Man and Shake Your Ass-Smoke Your Grass . This new slab of ZOMBIE madness hits in early 2021.

Tripping with Nils Frahm is an illustration of Nils's lauded ability as a composer and passionate live artist as well as the enchanting atmosphere of his captivating, and already legendary Funkhaus shows: An extraordinary musical trip ' rare and exclusive, close and intimate, bringing a unique concert experience to screen.

'Roses' is the 5th studio album from The Paper Kites. An alluring, dynamic and diverse company, the ‘Roses’ vocalists were hand picked by the band to feature on the new album. Along with Lucy Rose the band have confirmed Julia Stone (AU), Nadia Reid (NZ), Maro (PT), Aoife O’Donovan (US), Rosie Carney (UK), Ainslie Wills (AU), Amanda Bergman (SE), Lydia Cole (NZ) & Gena Rose Bruce (AU) will all be featured on the 10 track album. ‘Roses’ is a testament to sincere, patient and understated songwriting. A deeply moving collection of songs, helmed by a cherished selection of artists.

'It's about hopelessness and darkness,' says Aidan Moffat. 'But in a fun way.' The Arab Strap frontman is speaking about the band's 7th studio album and their first since 2005's The Last Romance . The band who bought you the classic and legendary "The First Big Weekend" return with new music for the first time in 15 years. 'It's definitely Arab Strap, but an older and wiser one, and quite probably a better one.' The first track lifted from the new album 'The Turning of Our Bones' saw a much welcome return to form and proved very much that Arab Strap are back from the grave and ready to rave! As the bands Malcolm Middleton told the Guardian newspaper when they profiled the band upon news of their return, 'There's no point getting back together to release mediocrity.'

Adult Mom began as the solo project of Stevie Knipe in a Purchase College dorm room in 2012, and now falls between the playful spectrum of solo project and collaborative band with beloved friends and musicians Olivia Battell and Allegra Eidinger.

On Driver, Adult Mom’s third studio release, Stevie Knipe delves into the emotional space just beyond a coming-of-age, where the bills start to pile up and memories of college dorms are closer than those of high school parking lots. Like so many other twenty-somethings, Adult Mom’s third LP seeks to answer the age old question: what now?

With an actualized sound, Adult Mom has arrived to soundtrack the queer rom-com they’ve been dreaming of since 2015. Driver incorporates an expert weaving of sonic textures ranging from synths and shakers to ‘00s-inspired guitar tones which convey a loving attention to detail.

Life is Not a Lesson is Glitterer’s second full-length album, featuring Ned Russin, bassist/vocalist of seminal hardcore-punk band Title Fight. This time Ned has produced the record himself, notwithstanding some recording and performance help from his twin brother, Ben, and some other friends, as well as mixing and mastering by Arthur Rizk (Code Orange, Power Trip). It may surprise you to hear that, irrespective of worldly doom and gloom, the new songs are even catchier and bigger-sounding than those from his 2019 release, Looking Through the Shades. With roomier drums and more electric-guitars-per-square-inch than ever, Life is Not a Lesson has a way of evoking an alternate-universe version of Guided By Voices, one with a hardcore-punk background. Life is Not a Lesson proves to be a rigorous reckoning with the life of the mind at a time when there’s not much life outside the mind.

The self-titled, full-length debut from Bones Owens is a selection of songs both gloriously gritty and undeniably euphoric. In a bold departure from the moody Americana of his acclaimed EPs Hurt No One and Make Me No King, the Missouri-bred musician’s first release with Thirty Tigers delivers a powerful sound deeply inspired by ’60s garage-rock, Hill Country blues, and the swampy roots-rock of bands like Creedence Clearwater Revival (“the first record I remember stealing from my dad when I was ten and just starting to play guitar,” according to Owens). A potent showcase for his formidable guitar work—a talent he’s displayed in performing with artists as eclectic as Yelawolf and Mikky Ekko—Bones Owens arrives as a full-tilt expression of Owens’ wildest impulses, all swinging rhythms, and swaggering riffs.

Strobe-lit and expansive cut that locks into an insistent groove and periodically explodes into bright colors.' - Stereogum on 'Echoes''Polydans' is Marius Lauber's (known internationally as celebrated producer, DJ, songwriter, and electronic musician Roosevelt) hotly-anticipated 3rd album (out Feb 26, 2021 via City Slang / Greco-Roman). The album serves as a kind of love letter to dance music, with Roosevelt embracing his own musical history and his love of the multi-faceted nature of the genre, and reconnecting with the intimate nuances that can make dance music feel truly alive.After taking a 4-piece live band around the world playing over 100 live shows and performing at numerous festivals tied to the success of his second album 'Young Romance', Marius decided to take some time to sit in his studio, reflect on his meteoric success in the pop music world (including becoming an in-demand producer, collaborating with Classixx and Washed Out and remixing artists like Rhye, Glass Animals, Chvrches and Charlotte Gainsbourg) and refocus himself on his musical roots. Hearkening back to the intimate clubs he'd DJ in, he sought to unearth the beating heart of dance music, where passion and excitement is woven into the intimate nuances of the genre, and the physical relationship between the DJ and those on the dancefloor. Playing almost every instrument on the record, Roosevelt created 'Polydans' by swirling together the spirits of 80s synth, disco, analogue, Yacht rock, and delirious dancefloor euphoria with amazing results.

The soundtrack is a perfect complement to the film available on 3 CDs for the Zappa completist. Showcasing 69 total songs, with 12 previously unreleased recordings from archive along with the 1978 Saturday Night Live performance; 24 additional Zappa songs from the catalog spanning 4 decades; songs from Zappa's labels Straight / Bizarre Records; 2 classical compositions by Edgard Varese and Igor Stravinsky; and 26 Original Score cues newly composed by John Frizzell for the documentary.