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Two song 7-inch on splatter colored vinyl by Stranger Attractor, a dark synth-wave duo from Indianapolis featuring former members of Skeletonwitch, Demiricous, and Sacred Leather. NOTE: This is being released in conjunction with Indy CD & Vinyl in Indianapolis and will have a heavy focus in that region.
“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band.
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
Taylor Swift brings her seventh studio new album, Lover which includes "ME!" featuring Brendon Urie of Panic! at the Disco.
Five new songs not previously released along with five songs from the collection of singles released between November 2017 and March 2019
All songs produced by Josh Kaufman and engineered by D. James Goodwin. Formed in 2003, The Hold Steady have released six albums, numerous singles and played over 1000 shows during the past 16 years. The Brooklyn-based band, by way of the Midwest, has performed in all 50 states in the USA, and throughout Canada, the UK, Europe and Australia.
The Hold Steady began releasing two-song singles in November 2017 ahead of the sold-out weekend shows they do in select cities each year and have released five new singles (nine songs total) thru March 2019. The band will launch "Constructive Summer 2019" in August + September four weekends of US shows in Seattle, Chicago, Nashville and Boston.
Craig Finn: "I've been saying for a few years now - since Franz came back- that this six piece lineup of The Hold Steady is the best band we've ever been. The new songs recorded by this version of the band are super exciting to us. It's been a very fun and creative period for The Hold Steady.ť
GRAMMY Award-winning MCA Nashville country star Vince Gill announced today that his new album, Okie, will be released on August 23. Gill wrote or co-wrote all 12 songs on Okie. The album's title is taken from the once-derogatory term used to disparage migrants from Oklahoma to the nation's west coast during the Dust Bowl and Great Depression eras. A proud Oklahoman, Gill has appropriated this term on an album that embraces his roots and explores some of the most important issues of our time. I thought this was going to be a songwriter record, not a concept album, Gill says. It wound up being more information than I'd envisioned. A friend sent me an email saying, You could have only written this record after living a 60-year-plus life. He said, There's no struggle in these songs, just truth and your experience. Okie marks Gill's most recent solo album since 2016's Down To My Last Bad Habit and 2011's Guitar Slinger. In 2013, Gill partnered with famed steel guitarist Paul Franklin on Bakersfield as a tribute to the Bakersfield sound of Buck Owens and Merle Haggard. With 21 GRAMMY Awards to his credit. Gill has solidified his place as country music's most eloquent and impassioned champion. He is both a world-class musician and a wide-ranging songwriter whose compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and the Country Music Hall of Fame in 2007. Gill has also made appearances on over 1000 artists records. In 2017, Gill was invited to join the Eagles for their worldwide tour, and later this month he will again join the band for the European leg of their upcoming tour with stops in Antwerp, Belgium, Cologne, Germany and Amsterdam.
Seratones aptly named sophomore release POWER is described by poet and author Hannif Abdurraquib as a glorious, swelling album[a] sonic monument, and precise lyrical tapestry. AJ Haynes bends her gloriously malleable voice seamlessly around the temples of rock, and soul, and funk. All of them, unfurling in waves of keys, staccato percussion and wailing curves of guitar. Based in Shreveport, Louisiana, Haynes and founding members, drummer Jesse Gabriel and bassist Adam Davis, form the kind of laser-focused rhythm section that you only get from bandmates who've been playing together since they were teenagers. New members Tyran Coker (keys) and Travis Stewart (guitar) bring a fresh dynamic to the band with interstellar soundscapes and entrancing melodies, all while maintaining the emotional edge and intensity from their acclaimed proto-punk debut record Get Gone.vPOWER exemplifies a true strength in vulnerability, a kaleidoscopic view into Haynes passions, hopes, and worries: from her love of poetry to her advocacy for Reproductive Justice and racial equity. Hard-learned lessons from lovers and intimate friends. The struggles to adapt and overcome. POWER is as much a statement as it is a question, a semiotic exploration of sound and Soul.
Thrice celebrate the 10 year anniversary of their classic "Beggars" on striped colored vinyl and includes a bonus 7" with two rare b-side tracks, "Red Telephone" and "Answered," never before available on vinyl.
Old Salt Union once again enlisted GRAMMY-winning banjoist and Compass co-founder Alison Brown to produce the follow-up to their self-titled Compass Records debut. The resulting album, WHERE THE DOGS DON't BITE, builds on this non-traditional stringband's varied musical backgrounds for a wildly entertaining, eclectic batch of songs. The quintet Ryan Murphy (banjo), Justin Wallace (mandolin), John Brighton (violin), Jesse Farrar (primary vocalist and bassist) and newest member Graham Curry (guitar) have continued to hone and develop their sound through relentless touring, cultivating a steadfast fanbase drawn to their high-energy shows. Coming from varied musical backgrounds, Old Salt Union's collective melting pot of styles and musical vocabularies informs their fresh approach to modern string band music and has helped to carve a unique niche for this Belleville, Illinois roots outfit. Farrar, nephew of Son Volt's Jay Farrar, kicks off the album with "God You Don't Need,' a hook laden ode to a relationship gone bad set against a tapestry of strings and an eerily compelling banjo melody. Label mate Bobby Osborne guests on "Tells Me So,' a nod to the bluegrass side of the band's musical sensibilities featuring a lead vocal by mandolinist Justin Wallace. Violinist Brighton delivers the gypsy-tinged instrumental "Johann's Breakdown,' which pulls from jazz and classical progressions, and Wallace delivers the haunting title track, "Where The Dogs Don't Bite.' The dark, but heartfelt song features triple-layered guitar harmonies, stacked vocals and a group sing-along that recalls last call at a corner pub in the rust belt, a fitting closing to this musically diverse and compelling release.
Over 75 years after Rodgers & Hammerstein reinvented the American musical, this is OKLAHOMA! as you’ve never heard it before and reimagined for the 21st century. Stripped down to reveal the darker psychological truths at its core, Daniel Fish’s production tells a story of a community circling its wagons against an outsider, and the violence of the frontier that shaped America. Funny and sexy, dark and terrifying, “this is the OKLAHOMA! that was there all along” (New York Magazine).
Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.
